A Quote by Gerrit Cole

Altuve is just so good at that. He can decide halfway to the plate where he's going to place the ball. I've never seen that kind of talent before in my life, and I don't know if I'll ever see it again.
I always, always decide where I'm going with the ball before I take a penalty shot, stare at the ball, follow through, and never look at the place that I'm going to shoot.
If you have talent, I believe that talent will win out. In other words, if you're a good broadcaster, if you're a funny comic, you'll be heard. If you know how to do a broadcast, if you're a good newsman, if you can see an event and describe it, you're going to be heard and you're going to be seen. So there's always room. Now with cable and satellite and Internet, it's endless. You could blog, you could be your own talent.
Meditation is to attain to a no-mindness, to a state of no-thought. In that opening of no-thought, in that kind of space, suddenly you become pure, innocent, uncorrupted. You have never been like that before nobody has ever been like that before nobody is going to be like that again. Unique. And to know that is to realize one's self. To know that is to know all. If you have not known that, whatsoever else you know is just rubbish, garbage.
When I finish a movie, I don’t ever see the movie again. The moment I finish the color correction and the mix, I never seen any of my movies ever again. I just try to explore what I can learn from the experience and move on.
You can experience the thrill of discovery, the incredible, visceral feeling of doing something no one has ever done before, see things no one has ever seen before, know something no one has ever known before. ... Welcome to science, you're gonna like it here.
Well you'd see a very dramatic change in the perspective of small businesses, entrepreneurs, middle-size businesses, and perhaps even some large multinationals. They'd say, you know what, America looks like a good place to invest again, a good place to take risk, a good place to hire again.
You just want to find a story that grabs you and that you've never seen before, but somehow you can't imagine it not existing. It's like a good book. What makes a good book is hard to say. I don't know. I just look for something that grabs me. I don't have a way of looking for a project, and I don't know many people that do. It's just year to year, and what's going around and what's there.
I was like, 'You know what, I'm going to try a juice cleanse.' I'd never done it before but I thought it was a good idea. I was miserable. I wanted food, I was cranky and the bottom line is I don't think I will ever do that again.
It's all about making an experience. You go to the movies to see something you've never seen before. You want to get different people out there with different voices. So you see awesome huge spectacle or just a small unbelievable story you've never seen before.
When you're used to getting just a piece of bread for a meal, you don't realize that you can ask for a plate of pasta. You have never seen a plate of pasta. You don't even know it exists. So, to ask for it is totally out of your reality. Hopefully, at some point, either someone shows you a plate of pasta, you read about it, or you hear about it enough so that it becomes real, and it's not just a fantasy anymore, and then you start thinking "Hey, I want that pasta."
You know, it's always good to have seen a track before, just to kind of know where the little bumps are here and there, and just the general feel for the size.
Once I finish a film, I don't ever see it again. Never ever. I have never seen any of my films since I finished them.
Most of us had never seen a sober redneck before, and we have the Reagan Landslide to testify that none of us ever wants to see one again. It was a horrifying apparition. And ever since Jimmy Carter, all of us rednecks have had to be very careful to be drunk rednecks lest we turn into some kind of awful creature with big buck teeth and a State Department full of human-rights yahoos.
In the split second from the time the ball leaves the pitcher's hand until it reaches the plate you have to think about your stride, your hip action, your wrist action, determine how much, if any the ball is going to break and then decide whether to swing at it.
It's you and the ball against all the passers and you're just trying to place it the best you can. But sometimes, I don't even know where the ball's going.
You get to the plate and nothing is going through your mind. You see the ball, you see the seams.
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