A Quote by Gerrit Cole

When they have the lead, you don't want to fall into too predictable counts because they're playing with house money at that point. You want to try to be creative and keep them off-balance as much as you can.
At the same time, you don't want to be blindsided at some point because you've taken too much comfort from knowing nothing. So you try to keep a little store of practical knowledge. At a certain point you have to pretend that something is true in order to have a relationship with the world.
When we buy somebody, we cut the head off. We keep the operators who are looking - I hate to use this term - they're looking for a leader. We lead very well. And we immediately spend money on them and make them better. Everybody wants to be led. Except for me. I want to lead.
I'm always up and down with Jordan's. I try to not wear them too much. They're the type of shoe that, if you want it, if you don't want to get them too dirty, you don't use them too much.
Don't forget: before there would be a #NeverTrump hashtag, there would have been a #NeverJeb hashtag. And a lot of people would have been on that, and they would have said they would have stuck with it. If I were Donald Trump, and I was that much in the lead - he is so much in the lead he doesn't need to keep hating on the people who are the establishment who he hates so much. Why not try to bring them along and say, "Look, I believe this party is big enough for all of us. I want to hear from you. I want to make a deal" or whatever it might be.
You don't know who you will fall in love with. You just don't. You don't control it. Some people have certain things, like, 'That's what I'm going for,' and I have a subjective version of that. I don't pressure myself … If you fall in love with someone, you want to own them - but really, why would you want that? You want them to be what you love. I'm much too young to even have an answer for that question.
I feel like the personal me and the artistic me are separate, but connected. It's almost like a Jekyll and Hyde thing. As much as you try to keep them apart, they end up together. I'm very much aware that when I'm miserable on the creative side - if I can't make things work a certain way - it really detracts from being the father I want to be. So in order to ultimately be a good father and the man I want to be I know I need to keep my creative side in check, or at least a little bit happy. It's weird how it's intertwined that way.
As a creative person, you want to be creative, you know? You don't want to constantly wait around - a lot of movies fall apart, or there's just not as much out there as there used to be.
I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
I don't want anyone writing in to point out that I spend too much money on books, many of which I will never read. I know that already. I certainly intend to read all of them, more or less. My intentions are good. Anyway, it's my money. And I'll bet you do it too.
If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.
When you're playing a good team, not too many point guards want to go one on one. When you're playing a not-so-good team, teams that are fighting to make the playoffs, guys are going to want to try and get their own. It's just a different read of each team.
It means a lot to me that people appreciate what I do. That's why I give a lot of importance to my fans and I like to maintain a certain proximity to them. I already feel very thankful that people enjoy my work so much, and becoming famous is not my ultimate goal. I think it's important to keep a good balance between what I want to do and what people want to hear; otherwise I might fall into the dark side.
I'm a guy who likes to keep fighting five, six times a year, so if I ask for too much money, they might say, 'Well, we pay you too much. We can't let you keep jumping backwards and forwards and promote it.' The money I'm making is good to keep grabbing short-notice fights. I love them; they're my favorite ones.
If you come to my house there are no bodybuilding pictures or anything in my house. I try to keep that separate, just because it is all consuming and I don't want it around me when I'm at home.
I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them. I think if you're a good enough actor, that's the way to longevity in the film business. Keep everybody guessing.
I didn't want to be the lead guy. That's too much work. But I thought that it might be fun to be the lead guy's friend. I'd have days off, and still get a paycheck every week.
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