A Quote by Gerrit Cole
Cleaning up that lack of the definition between the two, and then leaning on the four-seam, having it become my primary fastball over my two-seam, it's just benefited me as a whole.
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When you're spinning a two-seam, getting on the side of the ball to get more run or sink can be good, but it can really be detrimental to your four-seam.
I like the two-seam fastball. That's a pitch I'm fascinated with.
I felt a Cleaving in my Mind- As if my Brain had split- I tried to match it- Seam by Seam- But could not make it fit.
Hold a baseball in your hand ... Feel the ball, turn it over in your hand; hold it across the seam or the other way, with the seam just to the side of your middle finger. Speculation stirs. You want to get outdoors and throw this spare and sensual object to somebody or, at the very least, watch somebody else throw it. The game has begun.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
There is no seam between my songs and myself-they really are me. It's not like I'm performing; I'm just singing stuff that I really believe.
There are no words to express the abyss between isolation and having one ally. It may be conceded to the mathematician that four is twice two. But two is not twice one; two is two thousand times one.
I used to bowl a lot of seam-up for Tamil Nadu and then my pelvic disc slipped. Then I just started batting, I didn't want to bowl at all. I wanted to do nothing with bowling.
As a performer, you get your 'thing.' You're the deadpan comedian, or the mad one, or the sexy one, and then you rely on that and mine that seam for years and years and you kind of forget who you were. There's this mask that you hold up between you and the audience that means they never get to see who you really are.
If you can't see the rotation and tell if it's a sink - a fastball, then you have to be able to tell whether that fastball is a two-seamer or a four-seamer. You have to be able to recognize if it's a slider or a curveball. You have to be able to recognize if it's a changeup or a split-finger.
I write a line and then I revise the line and then I write two lines and then I revise lines one and two and then I write one, two and three and I revise one and two and then I write seven and eight and then I see that should be line four and I continually work it over as I go.
I try to do two things: locate my fastball and change speeds. That's it. I try to keep as simple as possible. I just throw my fastball (to) both sides of the plate and change speed every now and then. There is no special food or anything like that, I just try to make quality pitches and try to be prepared each time I go out there.
Let me just try to give you sort of the intuitive one here on the stimulus funds. If you have a two-person economy - let's imagine we have two farms, and that's the whole world, just two farms. If one of those farmers gets unemployment benefits, who do you think pays for him? Am I going way over your heads today?
You're not going to see a wholesale switch over to all 4K by 2K. It will start with one, two, three, four channels, just like high definition (HD) when it was first introduced.
If you keep saying two plus two equals five over and over again, then that is what people are going to think. Maybe it does equal five if we keep changing the definition of what's normal and what's right and what's wrong.
Mathematics has the completely false reputation of yielding infallible conclusions. Its infallibility is nothing but identity. Two times two is not four, but it is just two times two, and that is what we call four for short. But four is nothing new at all. And thus it goes on and on in its conclusions, except that in the higher formulas the identity fades out of sight.
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