A Quote by Gerry Adams
When I wrote 'Before The Dawn,' I made it quite clear that there are lots of people involved in my life who I can't talk about simply because I'd put them at risk.
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"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
I always think it's silly when people talk about works of culture taking risks. Because there's not any risk involved.
It used to be the case that for an Irishman to come to the U.S. involved a perilous journey on a ship. It involved singing lots of songs before you left saying goodbye, and once you were in the U.S., it involved singing lots of songs about how you were never going to set foot in Ireland again.
You have to do stand-up quite a long time before you learn how to do it well. It was probably years before I was confident enough in stand-up that I was able to talk about the things I wanted to talk about, the way I wanted to talk about them.
What I enjoy about reviewing and writing for newspapers and periodicals is simply the chance to talk about all kinds of books and lots of them.
To succeed in sales, simply talk to lots of people every day. And here's what's exciting: There are lots of people!
When I used to return in the early morning after late-night programmes, the first people I see on the roads at the break of dawn are sweepers, newspaper vendors and milkmen. Since they were all from my hometown, I would stop to talk to them before going home. So I am quite used to their lifestyle and work.
My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages.
To laugh is to risk appearing a fool. To weep is to risk appearing sentimental. To reach out to another is to risk involvement. To expose feelings is to risk exposing your true self. To place your ideas and dreams before a crowd is to risk their loss. To love is to risk not being loved in return. To hope is to risk pain. To try is to risk failure. But risks must be taken, because the greatest hazard in life is to risk nothing.
Most of the people around me have a vested interest in how much money I make. You know, so a celebrity could find themselves in a position where people could have meetings about their life without them involved. And when I say 'their life' I mean not their professional life either. They could talk about their personal life.
Most of the people around me have a vested interest in how much money I make. You know, so a celebrity could find themselves in a position where people could have meetings about their life without them involved. And when I say "their life" I mean not their professional life either. They could talk about their personal life.
Is there anyone’s life story you don’t want to know?” “Not really.” His expression was unexpectedly serious. “Because people make a story of their lives. Gains, losses, tragedy and triumph—you can tell a lot about someone simply by what they put into each category. You can learn a lot about what you put into each category by your reaction to them. They teach you about yourself without ever intending to do it—and they teach you a lot about life.
Let me make it quite clear that when Christians say the Christ-life is in them, they do not mean simply something mental or moral. When they speak of being "in Christ" or of Christ being "in them", this is not simply a way of saying that they are thinking about Christ or copying Him. They mean that Christ is actually operating through them; that the whole mass of Christians are the physical organism through which Christ acts--that we are His fingers and muscles, the cells of His body.
Van Gogh, among others, believed in the religion of art, which, whatever else it involved, made it clear that art is more than the sum of its material characteristics and not simply a reflection of everyday life.
Before I published anything, I dreamed of publication, but I didn't actually write for it. I imagined that writing for an audience was something for fancier people. I aspired, but mostly I wrote for myself. I wrote because it made me happy.
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