A Quote by Gerry Beckley
I try to be careful to not just say it's a greatest hits show because we've also made efforts to keep people up to date so to speak because we continually write and record and put out albums.
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In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.
When you have kids, it can be hard sometimes because you've got to find creative ways to spend time with each other. So with 'Lights Down Low,' I wanted to just write about all the things that we do to try to keep the love alive in creative ways, because you can't always go out on a date... but you can make a date at home.
I'm self-critical but also, I'm not a very modest person. I'm self-critical in the lead-up to showing anyone anything. You know how people say they write, like, 30 songs and then they'll pick the ones they're going to put on the record? I don't ever get to that point because I self-edit so harshly at the beginning. I would never let anyone hear something that I wasn't happy with. But then once I've made it, I'm also not going to turn around and go, "Oh, yeah, I don't know..." If I'm putting it out, anything creative that I do, I think that it's good, otherwise I wouldn't put it out.
I'm not going to say that every record I've put out was the greatest record in history, but I'd stand by even the bad ones. Don't make excuses, make hits.
Love is love, and a lot of times, people might be in the situation they're in because they put barriers up. Like, some people only want to date a model or an actor or an athlete. You're only limiting yourself. Open up to what's out there because God made us all.
I try not to date where I work. It makes life easier. I don't say no to anybody because I'd hope that people wouldn't say no to me just because I'm an actor - but they'd have to be pretty extraordinary.
For me, the challenge is just making great albums, because talent - and writing in general - is not tangible. There's no expiration date on it. At the same time, you might wake up tomorrow and be unable to write music.
When I speak out against the guns or against the big corporations, some of my friends say, 'Oh Yoko, be careful. These people have all the power.' But, you know, most people don't speak out because they are frightened.
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
It was a lot easier to write songs before I had a record deal, because the record labels and the industry doesn't mean to put pressure on you, but they do. They don't realize that they are, but you end up having a pressure there that you feel. At times I feel myself wanting to say, 'Just let me do what I do.'
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
I'd like to say I don't care, but I do. 'Cause when you put out a record, you try to do it for yourself first, and you want your audience to accept it, but you also want the press to accept it, too, because it validates what you do.
People buy my albums, and I love my albums when I do them because we try to record live with that same energy, but I can never get the energy that I have when I'm live.
Don't text or twitter during the show. Just live your life. Don't keep telling people what you're doing. Just, because also - also - it lights up your big dumb face.
Traditionally the show must go on which is a stupid thing to say, but that in a nutshell is what's going on. We have a new record out; if we won't tour, the new record dies. It's reality - it's what business is nowadays. You just need to tour to sell your albums.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
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