A Quote by Gerry Cooney

I don't care about the critics. I took a lot of nonsense. I got stuck with silly labels like 'White Hope.' What about other guys like Tex Cobb - they never had those labels?
I like the labels because I think they tell my story in a very concise way: gay, Latino. I think the responsibility that comes with accepting labels is that now I get a chance to break stereotypes. It gives me the opportunity to tell the unique stories of what those labels mean.
You always hear 'black Republican,' but you never hear 'white Democrat.' We've got to get beyond the labels and stereotypes. Other people have hang-ups about it. I don't.
I am seeing all the guys, like Earnie Shavers, Tex Cobb, and Larry Holmes all the time.
I've had a very different career than a lot of other musicians. I went through the major labels. I was signed to two major labels and bands. I've toured with Aerosmith, and I've had records on the charts, songs in the movies. If you had checklist of things a person wants to accomplish in music...I've done a lot. And I don't mean that in an egotistical way; I never take it for granted. But you can't think outside the box unless you know what's in the box.
People lost the capacity of using their brain. It's all about the label. Not about the labels showing but subtlety of the labels.
I have a fear of labels. If someone labels me, I have to respond - do I acknowledge it, reject it, deny it, live up to it, and defy it? Labels can affect your ability to be yourself. If you're not careful, like I wasn't when I was young, that can take a toll on you. You find yourself conforming to everyone else's ideas of who you are.
I had seen other comic friends of mine go to indie labels. Like David Cross and Pat Oswald went to Subpop, and Subpop didn't make total sense for me, but the metal version of that did. So I made a small list with Metal Blade, Prosthetic and couple of other labels, and Relapse was one of them.
If you think about 2Pac, Biggie, and Nas, all of those guys were teenagers or in their early 20s when they got started. Everybody acts like young people have to be silly and lack perspective. Those guys had incredible perspective, and everything that they said was before 25 years old.
The thing with labels is they're not for you, they're for other people. Like labels are just a word for other people to understand you and that's it.
The most important thing to remember about food labels is that you should avoid foods that have labels.
I got all these books about, like, what you need to know to enter the entertainment industry. And I remember I sent my music to record labels, and I took these little DVDs and sent them all over the place. And either no one got back to me or they just kept saying, 'You're too different.'
Everybody uses labels: they give you a handle on things - an over-simplified handle, sure, but without labels, without ads, without words, the world would be an indistinguishable mass, a blur. You can hope, maybe, that people ascribe so many labels to you that none wins out
The people who are competing business-wise out there want what other successful labels and artists have. I don't want what they have; I want my own path, my own sound, my own identity. Record labels care nothing about identity or artistic freedom, they want good business.
It's funny how we like labels. If I ever have a bookstore, I'm not going to put any labels on the sections.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
If you look at something like Spotify, many record labels are investors in the company. So from that standpoint, the money is all going back into the labels.
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