A Quote by Gerry Mulligan

Because if you've got the wit, you can make anything into a melody, ultimately. — © Gerry Mulligan
Because if you've got the wit, you can make anything into a melody, ultimately.
I feel like I'm really accomplishing something with harmony and melody. Ultimately, again, I'm not a singer, some people can sing with an "I" or an "a," some people can sing and they can sang. I think I can "sang" more than anything. I'm not a formal singer and I'm an MC, but it's secondary to the second nature of just melody. You know but ultimately I'm a writer and I do soul music. Whether it's in song form or rhyme scheme, it's soul.
I'm a very melody-driven writer and I have a rule that I don't write anything down because if I can't remember the melody than it wasn't worth remembering. So it's my way to test myself in the studio. When I was a kid I could sing pretty well so melody always made a lot of sense to me.
By wit we search divine aspect above, By wit we learn what secrets science yields, By wit we speak, by wit the mind is rul'd, By wit we govern all our actions; Wit is the loadstar of each human thought, Wit is the tool by which all things are wrought.
Melodies can be good depending on the context. You can have a simple melody, and if the harmony behind it is interesting, it can make a very simple melody really different. You can also have a complex melody. The more complex it is, the harder it is to sing, and then sometimes it can sound contrived. You could write a melody that would be fine on a saxophone but if you give it to a singer, it can sound raunchy.
There's a melody in everything. And once you find the melody, then you connect immediately with the heart. Because sometimes English or Spanish, Swahili or any language gets in the way. But nothing penetrates the heart faster than the melody.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
The melody seems to have gone to the country. The country music seems to still have melody and interesting lyrics. But pop music, you've got to really listen hard to somebody who's doing a good melody and a good lyric.
A good wit will make use of anything.
Wit will never make a man rich, but there are places where riches will always make a wit.
We cling nervously to the melody, but we don't handle it freely, we don't really make anything new out of it, we merely overload it.
Wit is artificial; humor is natural. Wit is accidental; humor is inevitable. Wit is born of conscious effort; humor, of the allotted ironies of fate. Wit can be expressed only in language; humor can be developed sufficiently in situation.
Wit makes its own welcome, and levels all distinctions. No dignity, no learning, no force of character, can make any stand against good wit.
Ultimately, if you want to make movies, you've got to want to make movies every day, when people are paying you to make movies and when they're not, because you're going to get a lot more no's on this business, no matter what it is, than you are going to get yeses.
In order to make any kind of living, you cannot afford to say no. If anything comes up, you've got to take it; you've got to grab it with both hands because security is really not there.
I have a 'Play The Melody' philosophy. It means don't over arrange, don't make life difficult. Just play the melody-and do it the simplest way possible.
Sometime when I'm on the road, if I hear an idea, a melody in my head on the iPhone we got the voice memos. So I just record the melody or sound or the whole idea for a record.
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