A Quote by Gerry Spence

I am not as concerned about choosing the right words as I am in letting the words flow naturally. — © Gerry Spence
I am not as concerned about choosing the right words as I am in letting the words flow naturally.
Wordstruck is exactly what I was—and still am: crazy about the sound of words, the look of words, the taste of words, the feeling for words on the tongue and in the mind.
I am a dreamer of words, of written words. I think I am reading; a word stops me. I leave the page. The syllables of the word begin to move around. Stressed accents begin to invert. The word abandons its meaning like an overload which is too heavy and prevents dreaming. Then words take on other meanings as if they had the right to be young. And the words wander away, looking in the nooks and crannies of vocabulary for new company, bad company.
I've been obsessed with words since I was a little girl, and I am fortunate that each week as resident word expert on 'Countdown' I am ideally placed to quiz my guests in dictionary corner about the words and phrases they use.
The words 'alone,' 'lonely,' and 'loneliness' are three of the most powerful words in the English language. Those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul.
I am no poet. I do not love words for the sake of words. I love words for what they can accomplish. Similarly, I am no arithmetician. Numbers that speak only of numbers are of little interest to me.
You need to release yourself of any expectation of what that material should be. Just start letting it be what it's naturally evolving into, even if it means just pulling words out of the dictionary and laying them one after another. Words are everywhere.
All voting is a sort of gaming, like checkers or backgammon, with a slight moral tinge to it, a playing with right and wrong, with moral questions; and betting naturally accompanies it. The character of the voters is not staked. I cast my vote, perchance, as I think right; but I am not vitally concerned that right should prevail. I am willing to leave it to the majority.
I am tied down with single words. But you wander off; you slip away; you rise up higher, with words and words in phrases.
We hear a lot of talk these days about teaching values in higher education. Frankly, I am not sure this can be accomplished through a separate course in morality or ethics. I am convinced, however, that values are sustained on campus by the honesty of our words, and by the confidence we have in the words of others.
The hardest part is writing a song as a story. A song is so short and there are only so many words that every line has to hit. The words have to flow. You can't say certain words that sound weird next to each other, you can't repeat words too much.
Each time I write, each time the authentic words break through, I am changed. The older order that I was collapses and dies. I lose control. I do not know exactly what words will appear on the page. I follow language. I follow the sound of the words, and I am surprised and transformed by what I record.
A few words about ‘trannychasing.’ I am not a trannychaser. Ok, actually I am a trannychaser. No I am not. I am a trannycatcher! Just kidding!
Nobody needs to go anywhere else. We are all, if we only knew it, already there. If I only knew who in fact I am, I should cease to behave as what I think I am; and if I stopped behaving as what I think I am, I should know who I am. What in fact I am, if only the Manichee I think I am would allow me to know it, is the reconciliation of yes and no lived out in total acceptance and the blessed experience of Not-Two. In religion all words are dirty words. Anybody who gets eloquent about Buddha, or God, or Christ, ought to have his mouth washed out with carbolic soap.
I feel like what you tell yourself after the words 'I am...' is so important. I'm very careful with the words I use about myself.
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
But my question is, am I compromising by adapting my words for the audience and where is the line beyond which I am not adapting words, but changing my position?
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