A Quote by Gertrude Ederle

Don't weep for me; don't write any sob stories. — © Gertrude Ederle
Don't weep for me; don't write any sob stories.
When my mother died I was very young, And my father sold me while yet my tongue Could scarcely cry weep weep weep weep. So your chimneys I sweep, and in soot I sleep.
I'm an appalling flyer. I get very tense, although I no longer weep uncontrollably for no reason - I just sob if there's turbulence.
For this moment, this one moment, we are together. I press you to me. Come, pain, feed on me. Bury your fangs in my flesh. Tear me asunder. I sob, I sob.
Did you weep for the children who lost their dear loved ones and pray for the ones who don't know? Did you rejoice for the people who walked from the rubble, and sob for the ones left below?
Sob, heavy world Sob as you spin, Mantled in mist Remote from the happy.
I think he came to die with me," I say. I clamp my hand over my mouth to stifle a sob. If I can keep breathing, I can stop crying. I didn't need or want him to die with me. I wanted to keep him safe. What an idiot, I think, but my heart isn't in it. "That's ridiculous," he says. "That doesn't make any sense. He's eighteen; he'll find another girlfriend once you're dead. And he's stupid if he doesn't know that." Tears run down my cheeks, hot at first and then cold. I close my eyes. "If you think that's what it's about..." I swallow another sob. "...you're the stupid one.
I'll write teen stories as long as people will let me. I'll also be excited for the day when I'm told I can no longer write teen stories.
I sit watching the brown oceanic waves of dry country rising into the foothills and I weep monotonously, seasickly. Life is not like the dim ironic stories I like to read, it is like a daytime serial on television. The banality will make you weep as much as anything else.
My goal is to write stories that are connected, but not sequels in any meaningful sense. Like Howard's Conan tales or Leiber's Fahrrd & the Great Mauser stories.
I usually sob in 'Scandal,' and I don't even know what it is. I just sob. 'Cause I usually watch it alone, too, and I'll binge-watch it.
I just finished an episode of a new show called 'Century City.' It's like 'Law & Order' set in the future, and I have a very dramatic role in that. I have to sob and weep and wail. It was very hard. When it was done, I was like, 'OK, time to watch 'SpongeBob!'
For whatever reason, thus far it's been important to me not to write that kind of collection. Which means that I've spent months playing tic-tac-notecard, trying to get the stories in an order whereby stories that are similar in any given way (diction, narrative stance, setting, plot) are separated by others that aren't.
A lot of people would write to me long stories from their lives, and I felt they were thinking of me as some sort of treasure chest to keep their secrets. I felt like sometimes they would tell me stories they wouldn't tell anybody else in the whole world. And I loved these stories.
I've heard stories of other people that are similar stories to me - their mother or father passing away. People have come out to me on Instagram. It's amazing that they can tell me and confide in me. I always want to take the time and write these long messages telling them how much that means to me.
I found that I could write two kinds of short stories: I could write very absurd, kind of surrealistic, funny stories; or I could write very dark, realistic - hyper-realistic - stories. I was never happy with that, because I couldn't meld the two.
I can write ten or twelve screenplays in the time it takes me to write one novel. This allows me to offload all of my stories. But it's also not as creatively fulfilling.
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