A Quote by Gertrude Stein

The first hope of a painter who feels hopeful about painting is the hope that the painting will move, that it will live outside its frame. — © Gertrude Stein
The first hope of a painter who feels hopeful about painting is the hope that the painting will move, that it will live outside its frame.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting. Like finding some imaginary computer painter, or a robot who paints.
What does a painter do? You get a painting, you put some intent and passion and emotion into these things, and hope the people will receive it. Same as a playwright. It's art.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.
Facing future I see hope, hope that we will survive, hope that we will prosper, hope that once again we will reap the blessings of this magical land, for without hope I cannot live, remember the past but do not dwell there, face the future where all our hopes stand.
When you start a painting, it is somewhat outside you. At the conclusion, you seem to move inside the painting.
Sometimes you need to live with a painting for a while. Starting a painting can be easy, but finishing it... that's the skill of the painter, how you finally know when it's done.
Stained glass is unique from the outside, but as a painting insider, I know that oil painting's all about light. And it's about the depiction of light, the way that it bounces off different types of skin, different landscapes. The mastery of that light is the obsession of most of my painter friends.
It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
All that stuff about flatness - it's this idea that painting is a specialized discipline and that modernist painting increasingly refers to painting and is refining the laws of painting. But who cares about painting? What we care about is that the planet is heating up, species are disappearing, there's war, and there are beautiful girls here in Brooklyn on the avenue and there's food and flowers.
I hope with all my heart there will be painting in heaven.
I hope to actually get back to painting someday... soon. I sort of transitioned into cartooning from painting.
Comedy is the one absolutely self-aware art form. Actually, hip-hop's another one, I suppose. Because in your songs you're talking about how good a hip-hop artist you are. It's like a painter painting a panting of himself painting a painting.
I was at an art museum with my parents, and was quite taken with a [Vincent] Van Gogh painting. I stood admiring the painting for some time, and then realized that in addition to feeling moved by the beauty of the painting, I felt a little jealous of the painter.
I really hope that more and more companies will become much better at achieving and maintaining outside-in. I hope that we will see more and more truly outside-in corporations and that those organizations will remain outside-in corporations over time.
Give hope (the magic ingredient for success) — you will have hope and be made hopeful.
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