A Quote by Gertrude Stein

The creator of the new composition in the arts is an outlaw until he is a classic. — © Gertrude Stein
The creator of the new composition in the arts is an outlaw until he is a classic.
There is something about Dior that reminds me of New York City Ballet. They both have a classic, glamorous basis but are trying to evolve the arts in new and innovative ways.
One challenge to the arts in America is the need to make the arts, especially the classic masterpieces, accessible and relevant to today's audience.
I'm studying musical arts, all the way to composition. But I'm also studying theater arts, stage directing and acting.
Companions the creator seeks, not corpses, not herds and believers. Fellow creators the creator seeks -- those who write new values on new tablets. Companions the creator seeks, and fellow harvesters; for everything about him is ripe for the harvest.
If you observe, all classic love songs have a tinge of melancholy that comes naturally with the composition.
In dance, in composition, in sculpture, the experience is the same: we are more the conduit than the creator of what we express.
If you outlaw half a million people you make martyrs of them. For example, if you outlaw Robin Hood, it is all very well, but if you outlaw a whole group of people around Robin Hood, then Robin Hood and his merry men become legends.
The arts reflect profoundly the most democratic credo, the belief in an individual vision or voice . . . The arts' belief in potential gives each of us -- both audience and creator -- pride in our society's ability to nurture individuals.
To put it simply, we need to keep the arts in education because they instill in students the habits of mind that last a lifetime: critical analysis skills, the ability to deal with ambiguity and to solve problems, perseverance and a drive for excellence. Moreover, the creative skills children develop through the arts carry them toward new ideas, new experiences, and new challenges, not to mention personal satisfaction. This is the intrinsic value of the arts, and it cannot be overestimated.
Fortunately, we have writers who very much respect the classic characters and the integrity of the classic characters, that are also terrific comedy writers and are able to put these classic characters in new and interesting, and quite funny situations for today.
Chess is one of the few arts where composition takes place simultaneously with performance
A classic is a classic for a reason. Let's try to create new classics. The idea of repeating ourselves drives me a little crazy.
Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.
I studied fine arts, and color and composition was always my thing, but I've never been too wild with my fashion.
Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book.
Gone are the days when every successful creator got their own New York Times profile. Nowadays, professional Internet creator is just another job.
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