A Quote by Gertrude Stein
From the very nature of progress, all ages must be transitional.
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From the very nature of progress, all ages must be transitional. If they were not, the world would be at a stand-still and death would speedily ensue. It is one of the tamest of platitudes but it is always introduced by a flourish of trumpets.
Civilization may progress, human nature will remain the same throughout all ages.
Reason, which is the glory of our nature, is destined eventually, in the progress of future ages, to overturn the empire of superstition.
Civilized ages inherit the human nature which was victorious in barbarous ages, and that nature is, in many respects, not at all suited to civilized circumstances.
Ages elapsed ere Homer's lamp appear'd, And ages ere the Mantuan swan was heard: To carry nature lengths unknown before, To give a Milton birth, ask'd ages more.
There must be progress, certainly. But we must ask ourselves what kind of progress we want, and what price we want to pay for it. If, in the name of progress, we want to destroy everything beautiful in our world, and contaminate the air we breathe, and the water we drink, then we are in trouble.
I believe it safe to say that all progress must lead, not to further progress, but finally to the negation of progress, a return to the point of departure.
The cell was the first invention of the animal kingdom, and all higher animals are and must be cellular in structure. Our tissues were formed ages on ages ago; they have all persisted. Most of our organs are as old as worms. All these are very old, older than the mountains.
At the very simplest, I think as Van Gogh said and St Francis would have said, we must find nature. Just to be in the presence of nature your feelings and 'little seedlings' start to awake. So if we disassociate ourselves from God we cut nature out, too. More and more we turn nature into a commodity, into eco-tourism. But we must integrate it into the way people live every day.
The spirit of the Japanese nation is, by its nature, a thing that must be propagated over the seven seas and extended over the five continents. Anything that may hinder its progress must be abolished, even by force.
I am progressing very slowly, for nature reveals herself to me in very complex forms; and the progress needed is incessant.
It must be admitted that there is a degree of instability which is inconsistent with civilization. But, on the whole, the great ages have been unstable ages.
The true essence of Chinese culture is sophistication, refinement, the spirit of poetry. The spirit of ink painting and calligraphy lives on forever. Calligraphy is more important than painting. Chinese always consider nature. Man is a very small part of nature. That's why in Chinese painting you see huge mountains and man very small, very humble before nature. You must be harmonious and one with nature. You don't fight it. And then there's a bit of a poetry. Of course, it's very complicated, but also very simple.
Anytime that is ‘betwixt and between’ or transitional is the faeries’ favorite time. They inhabit transitional spaces: the bottom of the garden, existing in a space between manmade cultivation and wilderness. Look for them in the space between nurture and nature, they are to be found at all boarders and boundaries, or on the edges of water where it is neither land nor lake, neither path nor pond. They come when we are half-asleep. They come at moments when we least expect them; when our rational mind balances with the fluid irrational.
We are heirs of the ages because throughout the ages mankind has devised and fashioned new things, and step by step added new conquests to our domain in that incessant contest with nature which means life. But we are decadent heirs if we cannot use the instruments that the ages have put into our hands. The acquisition of these, in the largest scope, is education.
To captivate our varied and worldwide audience of all ages, the nature and treatment of the fairy tale, the legend, the myth have to be elementary, simple. Good and evil, the antagonists of all great drama in some guise, must be believably personalized. The moral ideals common to all humanity must be upheld. The victories must not be too easy. Strife to test valor is still and will always be the basic ingredient of the animated tale, as of all screen entertainments.
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