A Quote by Gertrude Stein
There is no pulse so sure of the state of a nation as its characteristic art product which has nothing to do with its material life.
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The State is not the nation, and the State can be modified and even abolished in its present form, without harming the nation. On the contrary, with the passing of the dominance of the State, the genuine life-enhancing forces of the nation will be liberated.
art is the pulse of a nation.
The object, which is back of every true work of art, is the attainment of a state of being, a state of high functioning, a more than ordinary moment of existence. In such moments activity is inevitable, and whether this activity is with brush, pen, chisel, or tongue, its result is but a by-product of the state, a trace, the footprint of the state.
You're confusing product with process. Most people, when they criticize, whether they like it or hate it, they're talking about product. That's not art, that's the result of art. Art, to whatever degree we can get a handle on (I'm not sure that we really can) is a process. It begins in the heart and the mind with the eyes and hands.
The current nation-state model is the product of thousands of years of political, social, and cultural evolution. I mean, it was only recently - in, like, the last few decades - that people have tried to create an organizing principle larger than the nation-state.
The so-called science of poll-taking is not a science at all but mere necromancy. People are unpredictable by nature, and although you can take a nation's pulse, you can't be sure that the nation hasn't just run up a flight of stairs.
Happiness is a by-product. It is not a primary product of life. It is a thing which you suddenly realize you have because you're so delighted to be doing something which perhaps has nothing whatever to do with happiness.
Art cannot be separated from life. It is the expression of the greatest need of which life is capable, and we value art not because of the skilled product, but because of its revelation of a life's experience.
In my book, the Arab Awakening, I talk about the fact that we have to move from this. All the contemporary ideologies of political Islam have been based on the nation state. The nation state is very problematic but I'm not sure if we have an alternative political model.
A nation's domestic and foreign policies and actions should be derived from the same standards of ethics, honesty and morality which are characteristic of the individual citizens of the nation.
The history of man so far is nothing to brag about, from the standpoint of our ideas - and what I mean is, that in comparison with most other societies, our present-day American society has achieved things which are remarkable: material wealth, greater than for any other nation; a relative freedom from oppression; a relative mobility; a spreading of art, of music, of thought, which is also rather unique.
It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.
The upholder of the cycles which sustain all Life is water. In every drop of water dwells a deity whom indeed we all serve. There also dwells Life, the soul of the primal substance - water - whose boundaries and banks are the capillaries that guide it, and in which it circulates. Every pulse beat arising through the interaction of will and resistance is indicative of creative work and urges us to care for those vessels, those primary and most vital structures, in which throbs the product of a dualistic power - Life
When you talk about state of the art, that doesn't mean a damn thing. Think about it. State of the art. "This is the state of the art brush from Winsor-Newton." Yeah, but the state of the art sucks rubber donkey lungs.
Humor, in one form or another, is characteristic of every nation; and reflecting the salient points of social and national life, it illuminates those crowded corners which history leaves obscure.
Our characteristic response to the mutilated statue, the bronze dug up from the earth, is revealing. It is not that we prefer time-worn bas-reliefs, or rusted statuettes as such, nor is it the vestiges of death that grip us in them, but those of life. Mutilation is the scar left by the struggle with Time, and a reminder of it - Time which is as much a part of ancient works of art as the material they are made of, and thrusts up through the fissures, from a dark underworld, where all is at once chaos and determinism.
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