A Quote by Gertrude Stein

A masterpiece... may be unwelcome but it is never dull. — © Gertrude Stein
A masterpiece... may be unwelcome but it is never dull.
Peter was dull; he was at first Dull; - Oh, so dull - so very dull! Whether he talked, wrote, or rehearsed - Still with his dulness was he cursed - Dull -beyond all conception - dull.
In other people's company I felt I was dull, gloomy, unwelcome, at once bored and boring.
You are carrying a masterpiece hidden within you, but you are standing in the way. Just move aside, then the masterpiece will be revealed. Everyone is a masterpiece, because God never gives birth to anything less than that. Everyone carries that masterpiece hidden for many lives, not knowing who they are and just trying on the surface to become someone. Drop the idea of becoming someone, because you are already a masterpiece. You cannot be improved. You have only to come to it, to know it, to realize it. God himself has created you; you cannot be improved.
By a curious confusion, many modern critics have passed from the proposition that a masterpiece may be unpopular to the other proposition that unless it is unpopular it cannot be a masterpiece.
A dull axe never loves grindstones, but a keen workman does; and he puts his tool on them in order that it may be sharp. And men do not like grinding; but they are dull for the purposes which God designs to work out with them, and therefore He is grinding them.
An enthusiast may bore others, but he has never a dull moment himself.
The artist cannot look to others to validate his efforts or his calling. If you don't believe me, ask Van Gogh, who produced masterpiece after masterpiece and never found a buyer in his whole life.
A cheese may disappoint. It may be dull, it may be naive, it may be oversophisticated. Yet it remains cheese, milk's leap toward immortality.
Do not complain then of your poverty, my daughter, - we only complain of that which is unwelcome, and if poverty is unwelcome to you, you are no longer poor in spirit.
In Madame Bovary Flaubert never allows anything to go on too long; he can suggest years of boredom in a paragraph, capture the essence of a character in a single conversational exchange, or show us the gulf between his soulful heroine and her dull-witted husband in a sentence (and one that, moreover, presages all Emma's later experience of men). (...) This is one of the summits of prose art, and not to know such a masterpiece is to live a diminished life.
If I owned a Rembrandt and it had some dull colors, I don't think I'd go put reds and yellows in there just to brighten it up. I feel the same way about old golf courses. When you have a masterpiece, I sure wouldn't tinker with it.
I don't care if you're talking about gay, straight, black, white, how in the name of hell can you guarantee that nobody will ever feel unwelcome? I have felt it unwelcome everywhere I've been in life. Everybody else has, too. I mean, not everywhere, but it happens.
Apollo without Dionysus may indeed be a well-informed, good citizen but he's a dull fellow. He may even be 'cultured,' in the sense one often gets from traditionalist writings in education. . . . But without Dionysus he will never make and remake a culture.
Alexandros of Antioch took a block of marble and chiseled away from it everything that was not his masterpiece, the Venus de Milo. If you will chisel away one fault from your character every day, you may discover - a) that you're actually a statue of Margaret Thatcher. b) that you're still just a block of marble. c) that there are pigeon droppings on your shoes. d) that you, too, are a hidden masterpiece.
Coaches should realize that the only way to conquer drudgery is by getting through it as efficiently as they can. A dull job slackly done becomes twice as dull, whereas a dull job performed as efficiently as possible becomes half as dull. Effort appears to be the main art of living.
I found that things became a lot easier when I no longer expected to win. You abandon your masterpiece and sink into the real masterpiece.
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