A Quote by Gertrude Stein

I have always noticed that in portraits of really great writers the mouth is always firmly closed. — © Gertrude Stein
I have always noticed that in portraits of really great writers the mouth is always firmly closed.
Canada has always been a great place for literature. It's strong and growing stronger, and there will always be reading, and there will always be great writers.
Companies are always being bought and sold. The markets are always moving; you have to be on top of your position. And in the U.S., the market is never closed for more than three days. The only time the market was ever closed was 9/11. I think it may have been closed the whole week.
It's fun when you have a whole team of writers that really like writing for someone; you always end up with some really great lines.
I always tell kids, you have two eyes and one mouth. Keep two open and one closed. You never learn anything if you're the one talking.
There was always a strong sense of femininity in the house, always that presence. And while it wasn't founded by a woman, the family always had this brilliant intuition for being surrounded by great women. Not that I am a great woman - I don't want to say that! - but there were always great women in different ages who had really a strong idea of style and could really translate the know-how of the house.
I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous but they don't really want to do anything. I can't think of anything less worth striving for than fame.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
If we do change anything, we always talk about it beforehand. It's not really fair to throw things at the director on the day, unless it's a small note such as re-phrasing something. But if it's large, we always talk to the director. But we seldom do that out of respect for the writers because, for the most part, they do such a great job.
Because I work in television, I always knew that I loved working with writers. It's very collaborative. You're always in a room full of writers.
Now, here is the point about the self: it is insatiable. It is always, always hankering. It is what you might call rapacious to a fault. The great flaming mouth to the thing is never in this world going to be stuff full.
Doyle Dane Bernbach was a great, great agency when I got there. There was an arrogance that everyone had, but it was a closed club. I was a guy who worked a little differently. Edgier. More punch-in-the-mouth.
I've noticed that a lot of people in film always seem interested in music videos, like it's some, like, really exciting thing they've always wanted to do or something.
In college, all my friends were graffiti writers, but I never wrote graffiti. I wanted to participate and do something cool on the street, so I'd make these portraits of people. I'd isolate them on a white wall, make a silkscreen of it, and do these portraits in bathrooms and all around. That's how I started the Polaroids.
I was lucky. I always had really great friends in my personal life, people always just knew who I was. It wasn't until I was in show business where that sort of changed or shifted at first. I have always had a great support network. I have had a lot of really wonderful, close friends.
New York is great for writers insofar as you can pay someone to bring you food, to take your washing out and bring it back clean. It enables you. Writers always feel guilty when they're doing anything but writing, and New York allows you to really write all the time if you want to - though my kids put a limit on it.
Try to keep your mind open to possibilities and your mouth closed on matters that you don't know about. Limit your 'always' and your 'nevers.'
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