A Quote by Gervinho

I started playing at my local estate club. I used to wake up every morning to go to play in the club. I loved it so much, it brought a lot of wonderful things in my life.
I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.
I used to go to Bourbon Street when I was a kid and there would be club after club after club of people who were around when the music started. I mean these are legendary, maybe not so well known, but legendary musicians.
Every club if I am not playing, I leave because I want to play football. All I wanted to do since I was a kid is play football and if I wasn't at a club I'd be playing with my mates on a Sunday. I still come home and play five-a-side with my mates.
My dad was a club musician. He was always playing guitar and playing loads of soul records and '60s rock n' roll. Whenever he used to cook, he used to play Donny Hathaway, Aretha Franklin, The Kinks, and the Spencer Davis Group - a lot of really earthy things.
When my ban was relaxed I began playing club cricket. Imagine, for a person who had played at Lord's, to play with a club team who didn't have proper kit against another club team in Lahore.
If I was making the decision normally, with my heart, I'd never leave Celtic. My life was great. I loved the city. I loved the people. I loved the club. I had a wonderful life. If you think of all those things, you'd never move.
If I was playing for my local club I'd want to play in exactly the same way as if I was playing for England and, if that ever changes, it's probably time to stop.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
The first club that reopened in New Orleans was Caesar's, and they called me immediately and said let's do a regular night with you here. So we started FEMA Fridays. It was the only club open in the city, and a lot of people had a lot of money from Katrina, the checks and stuff, so the joy inside that club - I don't think that'll ever come back.
If I was playing for a club in mid-table, I could make three or four mistakes, and no one would notice because the analysis is not at the top level. But when you play for a big club, every little mistake is highlighted. So every day, you work, work, work.
Good Lord's been kind to me, that's all I can say. I wake up in the morning with music in my head a lot of times. I won't say every morning, but I wake up in the morning sometimes with eight bars in my head and I just go to the piano.
Performing comedy in San Francisco to begin with is pretty wild. You've got to - you've got the human game preserve to play off of. And it's a lot of great characters everywhere. You work off that, and then you play the rooms, and eventually you get to a point where you're playing a club that is a comedy club, with other comics.
In the last 18 months, we received much interest from parties to invest in the club or buy the club. I rejected all the options to buy the club because I did not want to give up.
Celtic are the club I supported as a boy, and I loved every moment I was there. For me to leave there, I knew I was going to have to not just come to a club, but I had to come to a special club that was going to allow me to connect with the players and hopefully the supporters, too.
Politics is challenging for everyone's integrity... I have to wake up with myself every morning, and I have to be OK with the person I wake up with. If I string together too many days of waking up with a person I'm not happy to be, I have a lot bigger things at stake in my life than an election or a job.
I was actually the head of the violin after-school club. And then I was also the head of the dance club, the popping club. So one day, just by coincidence, we had to hold the two clubs at the same time. I had to go back and forth. And that's when the idea came up for dancing and playing violin at the same time.
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