A Quote by Gervonta Davis

I've always been the type to know that if I'm getting off the track, I know, 'OK, it's time to tighten up.' I feel like I can see it before it comes. — © Gervonta Davis
I've always been the type to know that if I'm getting off the track, I know, 'OK, it's time to tighten up.' I feel like I can see it before it comes.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging ... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
It's a funny thing about stories. It doesn't feel like you make them up, more like you find them. You type and type and you know you haven't got it yet, because somewhere out there, there's that perfect thing -- the unexpected ending that was always going to happen. That place you've always been heading for, but never expected to go.
It's OK to feel crappy sometimes and it's OK to feel like you don't look like the next person. But what you have to know is that you are beautiful and you are strong and you are worth it. It's important to know that.
I know what it's like to be so distracted by your surroundings and in the moment that it's seemingly impossible to not get caught up in 'em. I know what it's like to feel so much smaller than the activities of your environment that you can't see how not to succumb to 'em. I know what it's like to not be able to focus in class due to real life hunger pangs. I know what it's like to be disruptive just to pass the time and take your mind off what's lacking at home. I know what it's like to be laughed at by your teacher when you tell them what you hope to be in life.
I want to get out there and do anything, but I still don't know about riding roller coasters. I've never been on one. There is something about being strapped in and on a track; I always feel like we're going to be launched off somewhere.
There are peaks, there are valleys. But they're all kind of carved and smoothed out, and it feels like a low level of despair you live in. Where you're not getting any answers, but you're living OK. And you can smile at the office. You know? But it's a low level of despair. I was on Prozac for a long time. It may have helped me out of a jam for a little bit, but people stay on it forever. I had to get off at a certain point because I realized that, you know, everything's just OK.
Do you know when you cross against traffic? You look down the street and see a car coming, but you know you can get across before it gets to you. So even though there’s a DON’T WALK sign, you cross anyway. And there’s always a split second when you turn and see that car coming, and you know that if you don’t continue moving, it will all be over. That’s how I feel a lot of the time. I know I’ll make it across. I always make it across. But the car is always there, and I always stop to watch it coming.
I have definitely been in experiences where my girlfriends have outgrown me and that's ok and I think that I should be inspired by that to know that it's time to move on - it's time to evolve as well and I think that should be inspirational to other people. They shouldn't feel stifled and feel like oh we can't grow up, we can't move on - change is a good thing.
My mother was always expanding my art skills and getting me to paint different things. You always got to push some. And, I mean, I learned basic things like getting up on time, how to shop - you know, you don't touch things in a store you're not going to buy. These things were taught very young. I don't see today enough of this basic, you know, basic skill teaching.
I want to be the physical embodiment of light, you know? And I feel like now people know, when they see the lights go off and this light-up figure appear on stage, they know that's Mustafa Ali.
You know, it's always good to have seen a track before, just to kind of know where the little bumps are here and there, and just the general feel for the size.
'I know,' said Winter, 'but they don't know.' And he went on with a thought he had been having. 'A time-minded people,' he said, 'and the time is nearly up. They think that just because they have only one leader and one head, we are all like that. They know that ten heads lopped off will destroy them, but we are a free people; we have as many heads as we have people, and in a time of need leaders pop up among us like mushrooms.'
I think that was the scariest part about bobsled, is when you just don't know what's happening, you don't know where you are on the track, you don't know when it's going to be over, and you don't know what it's supposed to feel like.
Hazael rose from his knees. It had to take extraordinary effort, yet somehow he managed a version of his lazy smile when he said, "You know, I've always wanted to be a bath attendant. You should take me instead. I'm nicer than my sister." Jael returned the lazy smile. "You're not my type." "Well, you're not anybody's type," said Hazael. "No, wait. I take it back. My sword says she'd like to know you better." "I'm afraid I must deny her the pleasure. I've been kissed by swords before, you see." "I may have noticed.
You have to know what you want. And if it seems to take you off the track, don't hold back, because perhaps that is instinctively where you want to be. And if you hold back and try to be always where you have been before, you will go dry.
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