A Quote by Ghostface Killah

When Wu-Tang came, Wu-Tang was for that era, right there. When Dre had it in the West Coast, it was for that time. Biggie and them, it was for that time. — © Ghostface Killah
When Wu-Tang came, Wu-Tang was for that era, right there. When Dre had it in the West Coast, it was for that time. Biggie and them, it was for that time.
Wu-Tang was going through it. They didn't come from great homes or families. They really came from hard beginnings so it just made me reflect on my own situation. If Wu-Tang was able to make it, why can't I?
To me, Wu-Tang is beyond Wu-Tang Clan... It's just like, hip-hop is beyond Grandmaster Flash, but Grandmaster Flash was one of the first guys to hit those turntables like that. The same thing with Wu-Tang. You'll see the difference in hip-hop from the moment we came in to before we came in. We changed it. We changed the whole structure.
I grew up listening to a lot of Snoop Dogg and the Wu-Tang Clan. Actually, I was a huge Wu-Tang fan.
I could never be a control freak. If Wu-Tang is a dictatorship, how does every Wu-Tang member have their own contract, their own career, and have put out more albums without me than they've done with me?
Education is the tool. Even if we haven't directly instructed a session, I think Wu-Tang has been an instructor of education to anyone who has been a fan, anyone who has supported our movement, whether its been from buying a Wu-Tang CD or coming to see a show.
If you hear people talking about the Golden Era of rap, they're usually talking about the early Wu Tang Clan era and then Nas and Biggie and so on. But for me, it goes back to the '80s - 1986 to 1989.
I'm a big fan of all styles, even Biggie and Wu-Tang, but I gotta do my thing.
I am a Wu-Tang member and Method Man, he been a Def Squad member way before I was a Wu member. I was like a Wu member but I wasn't official.
I thought that Wu-Tang was the best sword style - the best sword-style of martial arts. And the tongue is like a sword. And so I say that we have the best lyrics, so, therefore, we are the Wu-Tang Clan.
I was at Stanford University up in the West Coast Bay Area, so the biggest song of my freshman year was 'I Got 5 on It' by Luniz, and the 'I Got 5 on It' remix was the joint that everybody was jamming constantly. And then it was also at that particular time that I became a fan of the Wu-Tang Clan.
I was a big hip hop girl, and still am, I listened to artists like Wu Tang, and K'Naan, but I was a particular fan of Biggie and Tupac.
I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.
My first encounter with Wu-Tang Clan came when I ordered six CDs from those throwback catalog orders, from Columbia House or something, and '36 Chambers' was one of them. It was on from then.
Wu-Tang is for the children.
If I could travel back in time, I'd bring back the entire Wu-Tang Clan.
NWA was all-American; Wu-Tang was all-American. It was just a part of America you may not have seen at the time.
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