A Quote by Ghostface Killah

When you're doing a concept album, it's easy. It's like a movie: you already know what you're dealing with. — © Ghostface Killah
When you're doing a concept album, it's easy. It's like a movie: you already know what you're dealing with.
'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
Apple, iTunes, and streaming services have made the single a more easy thing to access. What that's done has made the album as a collection of songs almost meaningless. But an album that has a concept or story or reason to be an album, if anything, has more meaning now than it ever has.
Number one, I am a true movie maker. And, you know, I am very much - I don't want to say infatuated, but I'm impressed with the art of making a movie and invoking emotion. You know, when I started making movies, I thought it was easy, and then when I got into it, I was like, 'This is not easy at all.'
I'd like to do a concept album, with the concept being about me.
God would have to beam into me what I was doing and what the album actually sounded like because usually when I start a project like that, I already know what the album sounds like before I start it.
When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
I love the movie 'Taken,' but the dialogue in the beginning of that movie is hilarious. They're talking, these commando types, and there's dialogue like, 'Hopefully your daughter appreciates what you're doing for her. Does she know that you're doing it?' What guys talk like this?
What better way to have somebody promote their movie, their show, or their album than to come on in a relaxed, easy environment and show their fans that they are just like them?
It's quite an easy way to write a concept album about love. Everything boils down to love in the end.
A strong concept is the most important thing in creating a record. When you can listen to it and see a whole movie in your head, that's what separates an instrumental album from a beat tape.
The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change of pace for you." And, I'm like, "Not really." When you're doing a science fiction movie, it's almost exactly the same.
I don't know what would be antithetical to do on the other side, maybe a Tyler Perry movie or something. No, there are very few comedies that live in between that. Or you're doing some kid thing like a Jim Carrey movie with animated something that's like that. Yeah, I've wanted to do them. I like doing them. I did Talk to Me. That was pretty much a comedy.
I grew up in the era of the concept album. What I do now is pick up on singles, and they are their own complete stories; you don't necessarily have to hear the rest of the album because I don't think albums are created like that anymore. They get songs from all over the place.
I get the most starstruck around musicians. I get tongue-tied and don't know what to say. I'm so jealous of them. When you make a movie, you're constructing something - it's a little bit like making an album. But after musicians make an album, they get to perform it live and experience it in front of a crowd.
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