A Quote by Giacomo Balla
Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.
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All things are in a state of vibration. Vibrations from objects in our surroundings are constantly impinging upon us and carry to our senses a cognition of the external world. The vibrations in the ether act upon our eyes so that we see, and vibrations in the air transmit sounds to the ear.
I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.
To understand something changing form as a destructive act is a very modern, Western gut reaction to things, and I get it. But what I'm suggesting is nothing radical, this notion of things constantly changing, and that the change is not inherently destructive.
All my other movies have the same process. Same approach. Same amount of changes. Everything. Things being made up on the fly. Changing things around. Firing and recasting. Constantly, constantly, in chronological sequence, not really knowing how this is going to end up. That is the only dogmatic approach I take towards everything.
I'm one for new things: I like new technology, I like new music, I'm not entrenched in some view of what culture should be. I like the fact that it's constantly changing and that language is changing, that behaviour changes.
If you interact with things in your life, everything is constantly changing. And if nothing changes, you're an idiot.
I do like moving my legs a lot, like maybe moon walk-y things. I don't have like one move, because I try as much as I can. But I just love imitating impossible things that dancers do.
Commonplace objects are constantly changing… The pies, for example, we now see, are not going to be around forever. We are merely used to the idea that things do not change.
The legislator should keep two things constantly before his eyes: 1. The pure theory developed to its minutest details; 2. The particular condition of actual things which he designs to reform.
As a society, I think we express our cultural mores through our politics. We're trying constantly to figure out what's OK and what's not OK. And it's hard, because our society is constantly buffeted by gale force winds of technology. Things are always changing.
We're [humans] running great risks of doing things that will not be good for us. The cost can be very high indeed if we reach the point where we can't adapt to our own increasingly rapid adaptations. We run the risk of early extinction. So this certainly isn't a triumphalist story, but it is trying to get at what, in the very long run, leads to the amazing creatures that we are.
What right does the West have to constantly criticize Russia? There are a few things about the West that I don't like either. But I am not constantly pointing my finger and criticizing things that are a country's internal affairs.
We're constantly dealing with old problems under the circumstance of new variables, so just things like greed and fear and anger and inequality are issues that humanity has constantly dealt with. The parameters and the variables change but these are old things. And discussing those things is slightly more timeless rather than focusing on one tiny thing.
I've been a list maker for years, even before I was a musician. I was always writing things down and kept long lists of things that would make good album titles and things like that. I'm constantly thinking in terms of songwriting.
We're moving into an era when things are dematerialised and much more holographic. Floating above the physical world and the geographic map, there's another landscape that's constantly changing - something like a cloud - of communication, information, exchange and commerce.
I'm constantly running away from everything. I'm running away from things on a daily basis. I run away from relationships. I run away from responsibilities.
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