A Quote by Giacomo Puccini
The music of this opera (Madame Butterfly) was dictated to me by God. I was merely instrumental in getting it on paper and communicating it to the public.
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One day I decided I would like to put a record into my system. So I picked up a record that was lying on the table, and put it on. I didn't bother to look at what it was because I didn't care, and it turned out to be Madame Butterfly. So I processed the aria from Madame Butterfly in my system and I played with it.
One of my sisters wanted to be an opera singer. So, we spent a few dollars to try to train her, because Italian people would like to have an opera singer in the family. But she's got trouble coughing, let alone singing. One day, she was in the shower singing 'Madame Butterfly,' three days later the Japs attacked Pearl Harbor.
As far as I was concerned the important thing was that the music was getting the attention as well as me so it was always a great way to get more of the public to connect with classical music, and opera particularly.
I feel like the worst has happened to me, so what better person to skate to 'Madame Butterfly' than me?
That was my way, and I also use the music after five years, I started hearing opera, opera, it was very good instrument to keep the spirit very strong because you feel like you are yourself singing opera, and I used to hear a lot of opera, they send me tapes.
Flaubert's famous sentence, "Madame Bovary, c'est moi" ("Madame Bovary, she is me"), in reality means, " Madame Bovary, c'est nous" ("Madame Bovary, she is us"), in our modern incapacity to live a "good-enough" life.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
I've always loved opera; it never occurred to me that I would write a proper libretto. One of my closest friends is a composer, Paul Moravec, and a few years ago, Paul and I were at lunch, and I said to him, "you really have to write an opera." So, he says very casually to me, "I'll do it if you write the libretto." Well, little did I know that the within a couple of years we would end up getting a commission from the Santa Fe Opera to write an opera together, "The Letter," which turned out to be the most successful commissioned opera in the history of the Santa Fe Opera.
You look back, and it was important to bring back instrumental music, and it was great to be a part of that wave of instrumental rock music. And clearly it was something I was destined to do.
But on paper, things can live forever.
On paper, a butterfly
never dies.
It's always made me feel odd when I'd get a Dove Award for an instrumental album that has nothing to do with gospel. When I think of gospel music, I think of spreading the Good News with words. But maybe it's just because I was heralded once upon a time as one of theirs. The category of instrumental music seems sort of important to the big picture, but I felt a little embarrassed at the same time.
The performances of my works in the last 10 years are probably equal to all the previous years put together. There are so many venues now and there is a completely new public for opera that's grown up outside of the traditional core opera public.
A moment of grace. There rose up within me a profound sense of being loved. I felt "gathered together" and encircled by a Presence completely loving, as if I were enveloped by the music of a love song created just for me. It was not overwhelming or even emotional. Just a warm knowing that I was in God's loving embrace...centered and unified there. [Love]encounters cannot be analyzed, only shared. If you take a butterfly, Robert Frost said, and pin it down into a box, you no longer have a butterfly.
You should never be too much involved... otherwise, you suffer and you can't sing. This is what happened in the very first years I sang Madame Butterfly.
On those who overanalyze his music: When you tear the wings off a butterfly, it is no longer a butterfly
One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.
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