A Quote by Gian Carlo Menotti

I can sit on a chair with a score and give myself a wonderful performance. — © Gian Carlo Menotti
I can sit on a chair with a score and give myself a wonderful performance.
It's quite different to do a vocal performance, opposed to a performance where you are seen, because in some ways, you don't need to worry about what you look like - you don't have to sit in a makeup chair for a long time!
I quite like it to be risky. I'm not ready to sit down in a chair with my name on it yet. I've arrived at that point in the art world where there really is a chair that you sit in.
I had something called the back of the chair test. Where I sit, we don't sit like you and I do. I can see a sliver right behind them and they come out and they sit like this like god students and they don't touch the back of the chair.
I'm not that good of a drawer. I don't know how people just draw stuff out of their head. I'm always creating schemes. If I have to draw someone sitting in a chair, I have to go find a chair, sit in it, and take a picture of myself sitting in it.
It is the chair in honor of all those who, however competently, embrace the impossible. Sit in that chair someday.
I sit here in this chair, I pour myself some whiskey, and watch my troubles vanish into the air.
I don't sort of sit in a chair and pompously feel proud of myself about all the things we might have accomplished.
I can remember feeling very angry, and saying no! I can do it myself! From that point of view it was very emotional for me to get myself to the point to sit in the chair and be 'up'.
The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.
When you find yourself reluctant to sit on a chair because it had unexpectedly collapsed in the past you might shake your head and think "there, I'm so irrational!". But your reluctance to sit on a probably rickety chair is not irrational - you think it's irrational because you have a false view of what irrationality is.
There are times when I cry. I'll sit in the chair and feel the depression, let it seethe. Then it starts to go away, and I find myself laughing, saying, 'Well, that was dramatic.'
Most terrors are but spectral illusions. Only have the courage of the man who could walk up to his spectre seated in the chair before him, and sit down upon it; the horrid thing will not partake the chair with you.
Sometimes I say that writing a novel is the same as constructing a chair: a person must be able to sit in it, to be balanced on it. If I can produce a great chair, even better. But above all I have to make sure that it has four stable feet.
Our chair will remain empty one day, but our ideas will continue to sit on that chair! However in the very distant future, there will remain neither chair nor ideas! All will disappear!
Comfort rules. You want to be able to sit in a good chair comfortably for a few hours and be able to talk and enjoy a glass of wine. There's nothing worse than sitting in an uncomfortable chair.
The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.
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