A Quote by Giancarlo Esposito
We're living in a time where we want to be entertained but I think part of what people are looking for, that they don't even know they're looking for is to be uplifted in many ways.
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People don't like the music that's out now, that's on their radio stations, and they want to hear something different, but they're just the audience. You know, people will keep the TV on even if a show is on that they hate - because, unfortunately, they've been programmed to do that. [But] they are really looking for something that's gonna speak to the world that they're living in. That's what people are looking for, but they're not finding it.
There's so many ways to become a spiritual person and that's why a lot of people do drugs is that they're looking for something more and they're not satisfied. Even if they don't know their spirituality, they're searching for something more and they find it or they think they do with drugs, and that's what I thought for a long time.
I still think what the consumers are looking for is, number one, entertainment. They want to be entertained. It can be a liberal, a libertarian, or a conservative. It can be far-left or far-right. If they are entertained, they are going to tune in.
I think that there are many ways in which people look for heroes, messiahs, things like that in society. I think some people are looking for something that maybe they don't possess. To me, ultimately, you are looking for someone who understands you, or at least you think understands you. It all comes down to understanding for who we look to as heroes.
I want to be entertained, so if I want to be entertained, I know if I'm going to play, I want to make sure that you're entertained and that I'm having a great time. I really do love what I do.
Through all of youth I was looking for you
without knowing what I was looking for
part memory part distance remaining
mine in the ways that I learn to miss you
from what we cannot hold the stars are made.
I think people want to feel that it is possible to overcome differences to work together in times of stress. Maybe that's why so many people are looking for an alternative to the standard superhero movie or TV show. They are looking for characters with more dimension.
Australians just don't see that many Australian films, but it's also our responsibility as filmmakers and the responsibility of the funding bodies to remember that audiences want to be entertained, and people are entertained in lots of different ways.
I think at times of significant stress people are going to be looking for something and they don't always know exactly what it is that they're looking for and they may opt for change even if they're not entirely confident what that change will bring.
While all the things you believe and know exist in their own right, they're ways of looking at existence, but existence is infinite - it's beyond all ways of looking.
There are so many people who have a training in art history; and if you've spent time looking at old art, you become attuned to what art does through materiality and so you begin to look to that in contemporary art as well. And anyway, I do think that matching one's experience with what you're looking at and questioning what you're looking inevitably involves materiality, just like it involves the sense of place.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
When I interview people that want to work with us, I often disregard their resume, because a piece of paper, it doesn't tell me really who they are. I'm looking for honesty, vulnerability. I'm looking for strength, I'm looking for weakness. I'm looking also for someone that wants to learn and is excited about learning.
I think people perceive my creatures as absurd because they look different, but at the same time, they are a little bit familiar. I want people to feel a kind of empathy with them. When you think about it, all nature is kind of strange looking.. in fact, I'm a strange a looking creature.
I will tell you that we're all human beings, and we all care about what people think of us. But in general, their outlook is, "We're not looking at opening night numbers. We're not looking at opening night box office. We want this to be part of the reason you come to our service."
It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.
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