A Quote by Giancarlo Esposito

It's certain that the death of an actor can be on a television screen playing the same thing every week. — © Giancarlo Esposito
It's certain that the death of an actor can be on a television screen playing the same thing every week.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
When I was playing week-in week-out, I was playing 46 games a season, and there's nothing better than playing every week.
I realise that certain actors project their own image onto the screen - those who are the same on as they are off. But I've never had the necessary statistics to be able to do that sort of thing, and so, anyway, I always wanted to be a character actor.
Each actor is different and not everyone is looking for the same thing. For instance, I have never worried that people have to think of me in a certain way or have to accept me when I return to screen after a sabbatical.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
I'm basically a creature of habit - I do practically the same thing every week, every day of every week: I go to the office, I meet people, I write, I read, and, of course, I give lectures.
Television is our culture's principal mode of knowing about itself. Therefore -- and this is the critical point -- how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. (92)
I think, as an actor, I would find it a little run-of-the-mill doing procedurals where it's the same sort of thing week in and week out. Your character doesn't get to grow very much, which, purely from an actor's point of view, you want to see an arc of your character.
You put this face on television, week in, week out, they'd stop me and they'd say, 'Hey, Roy, how are you doing?' They'd know who I was, what I was, what I looked like, and what I did - all from seeing and hearing it at the same time on television.
I have a very beautiful life with great friends and I look forward to waking up every day. Every day is a vacation but every day is a workday. I don't want to take vacations because music is my life and if I escape from music, that's the same thing as death. So a vacation is death to me. Sitting on the beach for a week is my idea of hell. That would kill me.
Nowadays, to be frank, every week is a good week for freakshow television. we might start asking, Why are there so many freaks? And why do they all want to be on television?
Television takes an actor to each and every home, but the life of a television actor is only as long as the soap runs.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
The way television is done, you're kind of set on a certain path, and then episodic directors come in every week to try to recreate that.
I don't understand the actor who plays the same role from movie to movie. Maybe it's because I worked on long-running television when I was in my teens, and so the idea of playing the same role just bores me intensely. I'd rather not do it at all.
When you're done with a job, even if you do stay in contact with certain people, it's never quite the same. It's a unique experience when you're working on a film or a television show together. You're together for 16 hours every day, sometimes six days a week. You're just never going to have that proximity again. So you miss people.
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