A Quote by Gianfranco Ferre

The design of a dress, furniture, a house, a room, a street and a city are all the same process. — © Gianfranco Ferre
The design of a dress, furniture, a house, a room, a street and a city are all the same process.
Always design a thing by considering it in its next larger context - a chair in a room, a room in a house, a house in an environment, an environment in a city plan.
The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence. I feel like people on the street today probably dress better than they did in the '50s.
The great majority of Baghdad is a slum - a lot of it's new, but it's still slum. It's usually this concrete-block, one-room design with a door and a window, arranged one-up, one-down, often with a shop with nothing in it on the first floor, and then a one-room apartment above it. There's street after street after street of that stuff.
Having bought furniture for my own house, and bought furniture for our house in Washington, a furniture store seemed like a good idea, and it also played into my personal history.
Walk some night on a suburban street and pass house after house on both sides of the same street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each living family riveting its attention on probably one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of wheels.
I look at my faith like a room, and there was all of this furniture in there, but I had inherited most of the furniture. Then, when I got divorced, I took everything out just to see how I was going to refurnish the room, and that was a very essential step in my life. It was great.
I aim to create furniture that appears in a room as buildings on a skyline and reminds the viewer of the interaction between objects of design and architectural space.
I liken myself to a little girl having a tea party at the house all of the time. I actually dress up more in my home than I do walking down the street just because it is so much fun to play dress up.
I was shown into a room. A red room. Red wallpaper, red curtains, red carpet. They said it was a sitting-room, but I don’t know why they’d decided to confine its purpose just to sitting. Obviously, sitting was one of the things you could do in a room this size; but you could also stage operas, hold cycling races, and have an absolutely cracking game of frisbee, all at the same time, without having to move any of the furniture. It could rain in a room this big.
I'm in the process of building a separate house behind my house, just for shoes. Like a little show room.
In designing a house and gardens, it is happy when there is an opportunity of maintaining a subordination of parts; the house so luckily place as to exhibit a view of the whole design. I have sometimes thought that there was room for it to resemble a epic or dramatic poem.
TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.
This is something everyone knows: A well-used city street is apt to be a safe street. A deserted city street is apt to be unsafe.
I live in a craftsman house, but I'm a big fan of modernist and mid-century furniture and architecture, too. But my dream is to do a truly original chair design, something that is all these different things but is my own, too.
You can never design the best city, but you can design the best city you know how to design at this time.
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
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