A Quote by Gianluca Vialli
The only way you can play with three strikers - which we did at Juventus - is if the three work really hard, and become the first defenders.
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In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three.
It was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things.
To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers' pride,
Three beauteous springs to yellow autumn turn'd
In process of the seasons have I seen,
Three April perfumes in three hot Junes burn'd,
Since first I saw you fresh, which yet are green.
You don't need only your strikers. You need your defenders to be on top of their game. You need a midfield to work hard and track back, and I suppose you need a goalkeeper who makes saves once in a while.
In my time at Milan, the club played with a 4-3-1-2 formation, and I was the player behind the two strikers. At Real, I play behind three. There is a greater defensive obligation, but I try to work around the area.
I think I can play with three defenders. I'm capable of doing it.
The strikers are the first defenders. And the first defender is the first striker to build from the back.
I was the last one to join the cast of the west Wing and when I started it was just a peripheral character - the focus was to be on the staff, not the First Family. When I did the pilot, my contract was for just three years and it was confined to maybe three or four episodes every season. The only restraint I had was that I could not play another President while the show was on the air. So, I kind of backed into one of the great events of my life and certainly my career.
I love baseball, I really do. I always told my Dad, I'm not gonna make it working... I like to play ball too much. Which I did. I played hard. You gotta work at this game. You really do. And its fun doing it if you do it the right way.
The strikers need the midfielders, defenders, and goalkeepers. My objective is to have everything work in all the aspects.
My three keys to success: One, work hard. Two, be your own person. And three, have a passion for what you're doing.
I never allow myself to become discouraged under any circumstances. The three great essentials to achieve anything worthwhile are first, hard work, second, stick-to-ittiveness, third, common sense.
I've had some nice messages after games from players who I haven't spoken to before. I won't name people and drop them in it, but I've had messages from opposition strikers and defenders saying that they respect and love the way I play, telling me to keep doing it and not to change the way I am.
Everybody knows that really intimate conversation is only possible between two or three. As soon as there are six or seven, collective language begins to dominate. That is why it is a complete misinterpretation to apply to the Church the words 'Wheresoever two or three are gathered together in my name, there am I in the midst of them.' Christ did not say two hundred, or fifty, or ten. He said two or three.
Fate gives all of us three teachers, three friends, three enemies, and three great loves in our lives. But these twelve are always disguised, and we can never know which one is which until we’ve loved them, left them, or fought them.
Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence-the three I's-are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination.
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