A Quote by Gianni Agnelli

The factories were heavily bombed, but practically the construction work had been redone very quickly. — © Gianni Agnelli
The factories were heavily bombed, but practically the construction work had been redone very quickly.
Well, Italy had been overrun by the War, there had practically been civil war, north and south of the Gothic Line, heavy bombing, the northern industrial cities had been bombed heavily and we had political disorder before 1948.
I flew a full string of 35 combat missions over some of the most heavily defended targets in Europe. We were hitting Hitler's oil refineries, his tank factories, his aircraft factories, his railway yards. Those were our prime targets.
I've been around watch factories and had the chance to visit some factories.
I really wanted to have a different approach of beauty because when I came to America, they were still heavily, heavily plastic. The ads were so heavily retouched.
He was very commanding, and you had to know what you were doing to work for Mr. Rogers. I learned how to ride very quickly with him as my riding teacher.
'Feminist comedy,' practically an oxymoron, had a couple of good years after WWII. Chalk it up to the forced female autonomy that occurred during wartime, when Rosie the Riveter went to work in the factories, constructing the Allies' war machines while taking charge of the finances, the home, and the children.
My parents came from very humble families. My grandfather had a construction business coming from farmland, and my grandmother could never read or write. We were very spoiled. We had a nice house - and then, all of a sudden, we had nothing.
The bastards have never been bombed like they're going to be bombed this time.
I wrote the first draft of the New People quickly but it had been percolating a lot longer. It's a hard question to answer because I'd been working on another novel for years and when I gave up on that, this one came very easily. But I think the work had been going on a lot longer than the actual writing.
I was very lucky, I was part of the post-war period when everything had to be redone.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
The external appearance of any construction projects that are created during the time of the National Socialist Reich must take on the sensibility of our time. Factories are the workplaces of our National Socialist racial comrades. Streets and highways carry the name of the Führer. Settlements today are not isolated communities, but rather parts of greater city-construction plans. Every work site must be properly located within its neighborhood and surrounding setting (i.e., the natural world).
What started happening really quickly after 9/11 and the construction of this 'War on Terror' business is that I saw all kinds of parallels between the way that was being constructed and the way that prisons had been constructed since the early 1980s.
A lot of the factories that had been the bedrock of many small cities were being shut down, which led me to investigate what I'm calling the 'de-industrial revolution.'
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
By this time I was no longer very much terrified or very miserable. I had, as it were, passed the limit of terror and despair. I felt now that my life was practically lost, and that persuasion made me capable of daring anything
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