A Quote by Gil Gerard
I liked working with Tom Christopher as he was great as Hawk, and Wilfred Hyde White but I wished it were in a different context as the changes really tuned off the audience.
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Working with Christopher McQuarrie and working with Tom Cruise; two people who are just so good at what they do, it just makes you better.
Tom Tom Club has a whole different attitude and approach, not just musically but in performance. Some people said they liked it.
Tom Petty and the Heartbreakers were really great. I saw them live in the '90s; they were really, really good. The music is great, and the musicians are amazing.
When I look at great singers like Sinatra, Bennett and (Tom) Jones, I see great performers that can really move an audience. I really consider myself a troubadour privately and a song-plugger publicly.
I enjoyed living in New York City, I liked the premise of the show [Saturday Night Live], I liked working with a different host every week and different musicians. I always thought, "This is great. I never expected to get this in the first place, so I'm just happy being here."
Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.
Sports was a great equalizer. It didn't have color. It didn't matter whether you were rich or poor, black or white. It really shaped me in many ways to be able to deal with a lot of different personalities and different cultures. Sports were the common thread.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
I live a different way today. I have a family, and they are a priority for me. These days, I no longer wake up in the morning and worry if my bass is tuned properly and practice for hours and hours on end. I don't perform as much, but when I do, there's such magic to working in front of a live audience.
Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.
One of the reasons I loved working with Tom is people feel they know who he is... I think working with an actor who the audience already has a relationship with actually helps you in a film like this.
With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
I thought my teeth were white until I washed my face with Noxzema. My teeth are off-white. I'm not even white. I'm off-white. It's a new race; we will prevail!
Some of the Christopher Guest movies, when I'm not really like myself, when I have my hair dyed blonde or had a faux-hawk haircut. Those I like to watch because it takes you away from your real self.
Wynton and Christopher were really great experiences for me because they are both very gifted artists.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
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