A Quote by Gil Kane
Everything was sensory and I never saw the structure in anything.
Related Quotes
It was as if the sensory overload that is American life had somehow led to sensory deprivation, a gilded weariness, where everything is permitted and nothing appreciated.
I was obsessed with everything and anything; I wanted to learn everything, to read everything, to do everything. I was constantly on sensory overload. I'd hoard dozens of books in my second-grade cubby, and literally try to read two at a time, side by side.
I just saw the emotion in everything, so I got to feel everything that was going on and that I was viewing, but I couldn't think in terms of structure, which is the whole point of deep focus.
The Bible never says anything about dinosaurs. You can't say there were dinosaurs when you never saw them. Somebody actually saw Adam and Eve. No one ever saw a Tyrannosaurus Rex.
Meditators are shown to have thickening in parts of the brain structure that deal with attention, memory and sensory functions. This was found to be more noticeable in older, more practiced meditators than in younger adults which is interesting because this structure usually tends to get thinner as we age.
His face contained for me all possibilities of fierceness and sweetness, pride and submissiveness, violence, self-containment. I never saw more in it than I had when I saw it first, because I saw everything then. The whole thing in him that I was going to love, and never catch or explain.
There are people who have never been taught anything, and know everything, have never been anywhere, and understand everything, have never given a moment's thought to anything, and comprehend everything. 'Blessed hands' is the name bestowed on these fortunate beings. The world envies, honours and respects them.
I saw a DJ from Germany called Sven Vath. I saw him in the club, he played for six hours and I was just totally intrigued, because everything he played I'd never heard before and everything he did I'd never seen before. I was so blown away by what he did.
I have never collected an object or figure from Africa or Oceania because of anything curious about it or because of its utility or historic interest. Everything has been chosen entirely because of its aesthetic significance; its form, feeling, structure, and plastic values.
The goal lies away from the sensual world. It is not a rejection of the sensual world, but understanding it so well that we no longer seek it as an end in itself. We no longer expect the sensory world to satisfy us. We no longer demand that sensory consciousness be anything other than an existing condition that we can use skillfully according to time and place.
When I saw you, when I saw you I could not breathe, I fell so deep. When I saw you, when I saw you I'd never be, I'd never be the same.
Boundaries are basically about providing structure, and structure is essential in building anything that thrives.
I'm a Jesuit when it comes to structure, but I really think that structure is defined by character. Everything serves that master.
I would never be essentialist about sexuality and structure, but I do think there's a way in which this male-arc has been talked about as the only structure, and kind of a stand-in for even the word structure, instead of looking at other forms.
As might be supposed, my parents were quite poor, but we somehow never seemed to lack anything we needed, and I never saw a trace of discontent or a failure in cheerfulness over their lot in life, as indeed over anything.
If our life is poured out in useless words, we will never hear anything, never become anything, and in the end, because we have said everything before we had anything to say, we shall be left speechless at the moment of our greatest decision.
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