A Quote by Gilbert Arenas

I don't think anyone's worth $100 million if Michael Jordan wasn't, but hey, that's what Abe Pollin thought I was worth, and if someone puts $100 million in front of you, you're gonna take it, too.
They say I'm worth either €200 million, €100 million, €50 million or €10 million, but that's something between God, the HMRC and myself.
If Ryan Giggs is worth £20 million, Dennis Bergkamp is worth £100 million
America is a nation of 270 million people: 100 million of them are gangsters, another 100 million are hustlers, 50 million are complete lunatics, and every single one of us is secretly in show business. Isn't that fabulous?
If someone puts up $100 million on a movie, they're gonna be concerned about whether they'll get it back. So they're not gonna make a movie about three girls, you know?
All I'm saying is that, you know, whether we're worth a billion, whether we're worth a million, whether we're worth $1,000, it's what's in your heart. You know, $100 a month from somebody or $50 a year for people who may be in a less economic bracket, that's as important to the Lord.
The economy has produced 6.1 million jobs since I became president, and if Michael Jordan comes back to the Bulls, it will be 6,100,001 jobs.
Something worth doing might take a while, so really flesh out the potential of the business and be honest about whether it's worth doing. If it's not a $100 million company in five years, maybe it'll take 10 or 15 years. If you're doing something that has a universal, timeless need, then you need to think of the company in a timeless way.
I told Clooney, George, you’re worth $100 million — of course you can afford to be a socialist!
Jeff Sachs has the Millennium Villages. He spends $2.5 million in one village. It's an absolutely ridiculous model, because I've said that if you gave me $2.5 million, I can train 100 grandmothers, solar electrify 100 villages - 10,000 houses - and save you 100,000 litres of kerosene.
If we got $100 million dollars to make a movie, I don't know if we should be making a $100 million dollar movie our first time out.
If you want to survive in the film industry, it's not about fighting for your visions because that's a given. It's thinking about how much is your vision going to cost, and then, what are the consequences, because you may have $100 million, but the reality is that $100 million needs to make $500 million to be a success.
I have started many companies now worth more than $100 million. So I know a little about business.
One journalist estimated my liquid net worth at $25 million. That's pretty close. My houses are worth another $7 million.
For me, as I suspect for most people, there comes a point where you have enough. If you've got £20 million, why keep going until you've got £100 million or £1,000 million? Does anyone need another vast yacht or private jet or a house full of gold?
I don't see me doing $100 million films because $100 million films, the very nature of them, you need to offend as few people as possible just to make your money back.
I went through six years of battles on health care because I didn't have $100 million worth of advertising saying how it would never work.
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