A Quote by Gilbert Arenas

I have the mind-set that a guard can't stick me. So I watch the bigs and see how they like to play. If you're a shot blocker, then I jump into you. If you take charges, then I pull up for the midrange.
To have the ability to not have to change your lineup every night - if you're playing a big team, you don't have to take your smalls out; and if you are playing a small team, you don't have to pull your bigs. When you have bigs who are versatile and can play both styles then you can stay true to who you are every night.
If you want to be a good shot-blocker, you're going to be a good shot-blocker. It's simple. You can't teach it. You're either good at it, or you're not good at it. If you're good at it, then be really good at it.
If I improve on the jump shot then I will be hard to guard.
I just take what comes to me. If the drive is there, Im going to take it. If its not there, Ill take a pull-up shot. Im a confident player down the stretch and I feel like I can make the play when I have to.
He's a great shot-blocker. So once you go in there, you've got to either get into his body and get an and-one, or you've got to drive and kick. It's not all about trying to force the shot over a shot-blocker like Nerlens Noel. You've got to kick it.
I want to be an offensive player, too. Play low post, midrange, take jump shots, and just be the best I can be.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
Coming off the bench, I'm able to view the game, see how their bigs are playing. And what I bring to the table is energy. The starters go in and run their bigs for a bit. When I check in it's time to punch the clock and play hard.
In meditation you withdraw from others and focus your attention inside to gain purity of mind and wisdom energy. Then you must become extroverted and use this energy. When you take a long jump, you must first take some steps backward. Then you run, and make the jump. Like this, you first withdraw, observe yourself, develop clarity and unlock the wisdom. Then you make a long jump into society, to serve society. These two steps cannot be separated.
I know at times I'm going to have to just take the 3-ball when it's there instead of trying to get more to that midrange. But the midrange game is definitely one of my strong suits. I can't give that up.
If it were not so frightening it would be amusing to observe the pride and complacency with which we, like children, take apart the watch, pull out the spring and make a toy of it, and are then surprised when the watch stops working.
I want people to see what I can do. Not see what Steph can do or my dad can do and then assume that's what I do. I want them to actually watch me play and then decide who they think I am.
My best move is probably my pull up jump shot.
If you don't play, then don't pick up a paycheck. Competition is why you play the game. I understand they've already reached some goals. That's all good. But if you can make history, take a shot at it.
With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.
You try and imagine what it must have been like to first see something moving on a screen. It must have blown your mind, because up to then life went by and there was no way to capture it. You could only get one instant and you didn't get the movement. So it's like having a bit of control over time really, because it's happening in real time or what seems to be real time, and then you can play it backwards and you can watch things again and again.
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