A Quote by Gilbert Gottfried
I just split up with my girlfriend, but like the Japanese say, “They’ll be another one floating by any minute now.”
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I don't speak Japanese, I don't know anything about Japanese business or Japanese culture. Apart from sushi. But I can't exactly go up to him and say "Sushi!" out of the blue. It would be like going up to a top American businessman and saying, "T-bone steak!
Like, when we did Parliament and Funkadelic and Bootsy, it was actually one thing. But there were so many people that you could split them up into different groups. And then, when we went out on tour and they [the record companies] would see us all up there together - we had five, six guitars playing at one time, not including the bass! -, they said: "Wait a minute, that's just one whole group, selling different names!" But it wasn't - we had enough people in the group that each member would have a section to be another group. So now we're finally starting to get them to understand that.
My girlfriend is named Lynn. She spells her name "Lynn". My old girlfriend's name is Lyn, too, but she spells it "Lyn". Every now and then I screw up, I call my new girlfriend by my old girlfriend's name, and she can tell because I don't say "n" as long.
This summer-sweet night is only one minute upon one minute upon another Beautiful cacophony, sugar upon lips, dancing to exhaustion I thought of you, before this minute upon another minute upon another Until, numb, my lips fell onto the mouth of another, and I was undone. ~from Golden Tongue: The Poems of Steven Slaughter which is a fictional book in Ballad: A gathering of faerie
The Germans have an inhuman way of cutting up their verbs. Now a verb has a hard time enough of it in this world when it's all together. It's downright inhuman to split it up. But that's just what those Germans do. They take part of a verb and put it down here, like a stake, and they take the other part of it and put it away over yonder like another stake, and between these two limits they just shovel in German. from "Disappearance of Literature
Just having women come up to me and say they love the workout series, and that they have it and have guys come up and say, "I bought it for my girlfriend and she loves it." I feel really lucky and have gratitude for that, and now I get to put out a new series so I'm very happy.
Like any form of death, at some point you just have to get up and say yeah I'll take it, whatever's gonna happen is gonna happen and sorta chop your head off. It's easy to avoid all that...there's always another moment, another girl, another high, another drug, there's always something to distract you.
I don't know what to say... There's always animosity when a singer leaves a band. It's like you're a football team and the quarterback just split for more money on another team.
So you want another story?" Uhh... no. We would like to know what really happened." Doesn't the telling of something always become a story?" Uhh... perhaps in English. In Japanese a story would have an element of invention in it. We don't want any invention. We want the 'straight facts,' as you say in English." Isn't telling about something--using words, English or Japanese--already something of an invention? Isn't just looking upon this world already something of an invention?
I'm floating inside my skin. I could go on floating like this for days. Right now, the real world with its heartbreak and disappointments is just a pulse against the protective membrane we've drunk ourselves into. It's somewhere outside us, waiting." A Great and Terrible Beauty, Page 141, by
In any relationship that comes to an end, there's never just a baseline reason why. You say, 'Oh, I broke up with my girlfriend.' Someone says, 'Why?' You say, 'Well, you got three hours? And then maybe after I tell you my version, you've got to talk to her.
In any relationship that comes to an end, there's never just a baseline reason why. You say, 'Oh, I broke up with my girlfriend.' Someone says, 'Why?' You say, 'Well, you got three hours? And then maybe after I tell you my version, you've got to talk to her.'
She got really mad a month ago, because she had e-mailed me a naked picture of herself - which is a nice thing to do - but then I messed up, and I accidentally forwarded that e-mail to both of my parents. Now, my girlfriend is furious, mortified, but I don't even care, 'cause now I have to call up my mother and say 'Mom, I am so sorry - that picture was just for dad.'
I ended up signing for IndyCar and it was a good decision. I should have waited another 10 days to actually talk to all of the teams, because I just went in, boom, I got the first offer and I said OK I'm racing. It's almost like it was the girlfriend just gives you a no and then you just get the next one that gives you a yes.
I just broke up with my girlfriend because I caught her lying. Under another man.
I was actually signed at a very young age - I was 12 - and one thing led to another, and I ended up in a mutual split from the label. But it was probably the best thing that could have ever happened, because I was able to kind of leave the industry side of it for a minute and focus on the independent side.
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