A Quote by Gilbert Hernandez
I think I related more literally to the early 'Spider-Man' comics from Steve Ditko because it could be upfront and direct about the problems of being a kid. He captured being a teenager so beautifully.
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It's one of the reasons why Spider-Man: Homecoming is so exciting. Because it's a new genre for us, a new character, the first time that Spider-Man is in our cinematic universe and you can see what he was meant to be in the comics. He's such a young teenager in comparison to these other heroes. But I think, because we're film fans who go and see everything, it's much more natural that you're inspired by other work. And then of course that influences your work, and the way you make films.
When I first came to New York City, what I was thrilled about was not the Empire State Building, or the Statue of Liberty; it was the fireplugs in the street. These things that Jack Kirby had drawn. Or these cylindrical water towers on top of buildings that Steve Ditko's 'Spider-Man' fights used to happen in and around.
My favorite artists from comics were early ones like Jack Kirby or Steve Ditko who had a real heavy ink style. Captain America, co created by Jack Kirby, was a favorite of mine and I sometimes use an altered version of his costume on some of my characters.
I've been a comics fan since my first hit of those gateway drawings: Judy, Asterix, and the TV cartoon 'Spider-Man and his Amazing Friend' - which naturally led me to Spider-Man comics.
Have you ever seen the video of the kid with the Spider-Man pinata? He just sets the stick down, walks over, and gives the Spider-Man pinata a hug. He doesn't want to hurt his Spider-Man. He loves him! And I think that's a universal feeling towards Spider-Man. You just can't help but love him.
I think the fun thing about doing a project under your own name is that literally anything could be a follow up, it doesn't necessarily need to be a record, it could be film related, it could be book related, it could be anything.
The kids all literally think I'm Spider-Man, and they ask me how I shoot my webs. It's flattering and crazy, but it's Spider-Man they're in awe of, not Jake Epstein.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
If I was being perfectly honest, which I'm not going to be, I think the movie touches on a lot of things that we all went through... the first kiss, which was more than a first kiss for Harry [Eden], and those electrifying moments when you're a teenager that form who you are as a human being. I think those, for me, are what Baillie captured so well.
A real good artist is basically a grown-up kid, who never kills the kid. What we call being an adult is basically about killing the kid. People think you have to forget about the kid to become an adult and deal with grown-up problems. But, that's bullshit. We are still kids. It's the same, you just grow up. You're a kid with more experience.
I got into comics about the same time as music. By 12 years old, I had discovered my dad's killer comic book collection filled with Silver Age books from his youth...early Spider-Man, Thor, Fantastic Four, The Hulk, Detective Comics, Action Comics, you name it. Seeing those old books got me interested in new comics, so my friends and I would hit the local comic shop every Saturday to pick up the cool titles of my generation.
I think what's at risk is kids losing touch with being a kid. Being a kid is being defined differently than it was when you didn't have all this stuff you could put in front of your face.
I wanna begin saying a story about my son. I have a four-year old son who loves superheroes from Spider-Man to Iron Man to Batman. He's got all the costumes. One day he looks at me and says 'Dad, I want to be light-skinned so I could be Spider-Man. Spider-Man has light skin.' That was sort of a shock. This is why I am excited to be a part of the Marvel Universe, so I could be hopefully provide that diversity in the role of the superhero.
I think there's some kids that need to go from being a child to being a grown-up. You get out in the tech communities, the parents just apprentice their kid into the industry and they just skip being a teenager.
When I found out about being cast in 'Spider-Man,' it was like this bubble developed around me. I was floating in it for a while. And then, suddenly, it evaporated, and I was like, 'Well, I'm just an actor. I don't get to actually be Spider-Man.'
I know at first hand how the impact of being bullied as a teenager can quite literally last a lifetime and I thought that if we could involve well known ISPCC ambassadors perhaps people will think twice about bullying or indeed allowing bullying to happen.
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