A Quote by Gilbert Highet
Poetry is halfway between prose and music: it is sometimes like an intimate conversation, in words and phrases which need not be fully uttered, and sometimes like dancing and wordless music.
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Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.
As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.
Sometimes words need music too. Sometimes the descriptions are not enough. Books should be written with soundtracks, like films.
Music can be a distraction and an escape. Sometimes a welcome escape. You need it. But music can also serve a very important social function because music can do things that mere prose, mere ordinary political agitation can't do.
My whole life has been a twenty years struggle between poetry and prose, or, if you like to call it so, Music and Law.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
Certainly for me prose has a dilatory capacity, insofar as I don't trust my abilities in prose. I imagine I could have done the same thing in poetry, but sometimes I feel more fluent in poetry than in prose, and as a consequence perhaps I might pass too quickly by a thing that I might, in prose, have struggled merely to articulate. That struggle creates space, and it seems to me a particular kind of space into which memory flows easily. I suspect I think better in poetry, however.
'Words and Music' on Radio 3 is always a treat. Actors read passages of poetry and prose interspersed with music, and nobody tells you what it is. Later you can look it up online, but at the time you can't cheat.
I never wrote poetry, just prose. I don't really consider songwriting a form of poetry either. The words are important, of course, but they're dependent on the music.
I like to dance, I love music and sometimes in the changing room I am dancing.
Every work is completely different. Sometimes the music is first, sometimes it's parallel, and sometimes the music is after. There's no rule. Music goes differently to your emotions. With music you can create different spaces and feelings easier than you can with the visual - maybe not easier, but in a way, it's more seductive.
Surviving in music is the same as surviving in a place like Knowle West - sometimes you need to be low-key, but sometimes you need to make your presence felt.
Poetry never loses its appeal. Sometimes its audience wanes and sometimes it swells like a wave. But the essential mystery of being human is always going to engage and compel us. We're involved in a mystery. Poetry uses words to put us in touch with that mystery. We're always going to need it.
I like art; if I could just draw pictures all day, I would, but I can't; I'm horrible. I practiced at it, still didn't get better - gave it up. I'm good with words, though, so I write music, poetry; sometimes I just journal in my phone.
Sometimes people can get lost within the crowd, but we have to remember that ballroom dancing is an intimate sport where people look into your story and not the other way around. It's so important to just stay focused as a couple and that you don't let your adrenaline get the best of you by dancing too fast to the music or whatever.
In the 1960s, people like Bob Dylan, his music and words were a threat to the society and mainstream of the time. It shook people alive, and directly and indirectly things changed. But, as I see it, the change is never through the music alone. It's also the circumstances around the music that will cause/create the effect. And sometimes it's just strictly accidental that a piece of music becomes a form of protest.
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