A Quote by Gilbert K. Chesterton
The artistic temperament is a disease that affects amateurs. Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.
Related Quotes
The artistic temperament is a disease that afflicts amateurs. It is a disease which arises from men no having sufficient power of expression to utter and get rid of the element of art in their being.
Artistic temperament is the disease that afflicts amateurs.
I don't think there is room for 'artistic temperament.' Professional artists understand art is a business. If businesses ran their companies like many artists do their careers, they would not stay open a year.
Few artists can afford artistic temperament.
Your attitude is more important than the events happening around you. Artists develop a syndrome taught in art schools. It is a malady titled, 'Artistic Temperament'... rudeness, excuses, slovenliness, laziness, clutter, addictions, non-commercial attitudes, un-professionalism... and a good reason for failure.
I have an artistic temperament, which is a really tragic thing.
I find myself so easily discouraged. It is pathetic how easily I can be discouraged - easily discouraged by resistance, easily discouraged by opposition, easily discouraged by hardness of heart, easily discouraged by blindness.
I think when you're happy, emotions are right near the top - mine definitely are. I cry easily, I laugh easily, I lose my temper easily... and I beg for forgiveness easily.
Everyone seems so excited by the fact that music is more accessible, people can find new artists more easily and it's cheaper, without focusing on the potential negatives, not least of which is that idiots can more easily listen to your favourite music.
What an artist does, is fail. Any reading of the literature, (I mean the literature of artistic creation), however summary, will persuade you instantly that the paradigmatic artistic experience is that of failure. The actualization fails to meet, equal, the intuition. There is something "out there" which cannot be brought "here". This is standard. I don't mean bad artists, I mean good artists. There is no such thing as a "successful artist" (except, of course, in worldly terms).
Practice by drawing things large, as if equal in representation and reality. In small drawings every large weakness is easily hidden; in the large, the smallest weakness is easily seen.
The first step is to measure whatever can easily be measured. This is OK as far as it goes. The second step is to disregard that which can't be easily measured or to give it an arbitrary quantitative value. This is artificial and misleading. The third step is to presume that what can't be measured easily really isn't important. This is blindness. The fourth step is to say that what can't be easily measured really doesn't exist. This is suicide.
When you're a kid with artistic yearnings brought up in the Bronx, you don't get fed up too easily.
Young people, don't get the idea that you have an artistic temperament which must be humored. Don't believe you cannot do good work unless you feel in tile mood for it. That is all nonsense. I frequently have to force myself to make a start in the morning; but after a short while I find I can work. Only hard and regular work will bring success.
On the whole, the enjoyment of leisure is something which decidedly costs less than the enjoyment of luxury. All it requires is an artistic temperament which is bent on seeking a perfectly useless afternoon spent in a perfectly useless manner.
I get bored really easily. I get bored with people really easily. I get bored with routine easily. I don’t like things that are average, or normal. I care if I have the best – in the world about that - just wanting that great light that everybody looks at and goes ‘Ahhh’. I feel like that’s what I’ve found in my partner.
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