A Quote by Gilbert K. Chesterton
A great city is the place to escape the true drama of provincial life, and find solace in fantasy.
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At the end of the day, despite all the other great things that literature does in society and in a person's life, I think that we read to escape. And I think that place, more than anything, provides that escape quickly, if an author is engaged with the place.
I was quite frustrated by school and found solace in going to the drama studio, doing stupid voices, and being an idiot. I then went to Guildhall School of Music and Drama and signed with a great agent in my third year.
Human beings do not know their place and purpose. They have fallen from their true place, and lost their true purpose. They search everywhere for their place and purpose, with great anxiety. But they cannot find them because they are surrounded by darkness.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I was trying to find a reason for having had to escape from the place that was my home. To convince myself of my choices, I had to make it a place that everyone should want to escape from.
I'll be in 'The Get Down' from the creator Baz Luhrmann, and it takes place in the '70s with South Bronx kids growing up at the rise of hip-hop and really when the city was at its financial worst. It's about teens struggling with violence, drugs and gangs and trying to find solace in music and all that good stuff.
I think that pretty much every form of fiction (I’d include fantasy, obviously) can actually be a real escape from places where you feel bad, and from bad places. It can be a safe place you go, like going on holiday, and it can be somewhere that, while you’ve escaped, actually teaches you things you need to know when you go back, that gives you knowledge and armour and tools to change the bad place you were in. So no, they’re not escapist. They’re escape.
Reality depresses me. I need to find fantasy worlds and escape in them.
I cry a lot. I find great solace in it.
When I did 'The Great Escape,' I kept thinking, 'If they were making a movie of my life, that's what they'd call it - the great escape.'
It was a small provincial place with great people and I had a happy childhood growing up in Queens.
I couldn't afford to go to drama school in London. Then I met with the Royal Scottish Academy of Music and Drama in Glasgow, and I fell in love with the city. It was one of the few schools that offered me a place. It didn't do me any harm.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
True balm [of fantasy] takes away the painful irritation of life and simply heals, allowing one to begin anew. And that is what fantasy can do for us.
I have a fond place in my heart for Seattle, so I hope that an NBA team comes back to this great city, this great sports city.
Fantasy fiction is essentially about the concept of power; great fantasy fiction is about people who find it at great cost or lose it tragically; mediocre fantasy fiction is about people who have it and never lose it but simply wield it.
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