A Quote by Gilbert K. Chesterton
I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was.
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If God is an author and the universe is the biggest novel ever written, I may feel as if I'm the lead character in the story, but like every man and woman on Earth, I am a suporting player in one of billions of subplots. You know what happens to supporting players. Too often they are killed off in chapter 3, or in chapter 10, or in chapter 35. A supporting player always has to be looking over his shoulder.
The idea was that we would decide the order when we looked at the proofs. I remember Brion Gysin saying "Well, why change it? It's perfect the way it is, the way it came from the printer." Made one major change, that is, the first chapter that came from the printers, which would be the beginning, we moved to the end. The first chapter became the last chapter. There's no actual cutups in Naked Lunch.
A lot of Christians have been taught a story that begins in chapter 3 of Genesis, instead of chapter 1. If your story doesn't begin in the beginning, but begins in chapter 3, then it starts with sin, and so the story becomes about dealing with the sin problem. So Jesus is seen as primarily dealing with our sins.
All their life in this world and all their adventures had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on for ever: in which every chapter is better than the one before.
There are several studies done of peasant uprisings where the first chapter might be 'conditions in that area' and so the conditions are bad, and then the second chapter is a kind of conjectural event, somebody's shot and then there's an uprising. But there's no consideration, no chapter on preparation.
That's a chapter - the last chapter - of the 20th ... 20th ... the 21st century that most of us would rather forget. The last chapter of the 20th century. This is the first chapter of the 21st century.
The final story, the final chapter of western man, I believe, lies in Los Angeles.
I like to start with the first chapter, end with chapter 40. No flashbacks, nothing fancy, just a direct storytelling.
Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window.
No book is a chapter, no chapter tells the whole story, no mistake defines who we are. Hope makes our lives page turners.
The story of this man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter on him. Perhaps not a whole chapter but a resonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting out details. He had already chosen the title of the book, after much thought: `The Pacification of the Primitive Tribes of the Lower Niger.'
When I'm deciding to read a book, I never open to the first chapter, because that's been revised and worked over 88 times. I'll just turn to the middle of the book, to the middle of a chapter, and just read a random page and I'll know right away whether this is the real deal or not.
In that book which is my memory, On the first page of the chapter that is the day when I first met you, Appear the words, ‘Here begins a new life’.
The two mistakes that come to mind are people who introduce a flood of characters in the first few pages. Where the reader has to stop and get out a flow chart and has to figure out who is who. And you just can't do that - introduce the first four generations of a character's family in the first chapter. You can introduce four or five characters at the most in the first chapter. Another mistake is to use big words that are not normally used in conversation to try to impress folks with your vocabulary.
If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there.
If Mother Culture were to give an account of human history using these terms, it would go something like this: ' The Leavers were chapter one of human history -- a long and uneventful chapter. Their chapter of human history ended about ten thousand years ago with the birth of agriculture in the Near East. This event marked the beginning of chapter two, the chapter of the Takers. It's true there are still Leavers living in the world, but these are anachronisms, fossils -- people living in the past, people who just don't realize that their chapter of human history is over. '
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