A Quote by Gilbert K. Chesterton
For Tommy, on that hot and empty afternoon, was in a state of mind in which grown-up people go away and write books about their whole world, and stories about what it is like to be married, and plays about the important problems of modern times. Tommy, being only ten years old, was not able to do harm on this large and handsome scale.
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I play the father in the scene when Will and Tommy go back to Tommy's old apartment. It was a big mistake. I hope not to be in the next movie I direct.
There's Tommy, Tommy Lee the rock star, and Tommy the dad. I'm wearing several hats these days.
O it's Tommy this, and Tommy that, and Tommy 'ow's your soul/But it's thin red line of heroes when the drums begin to roll.
I've been deadline-driven for my whole grown-up life, and that hasn't gone away. It is nice to be able to reflect about the big picture, about what kind of stories you want to tell, and how to take advantage of success.
Other people can write grown-up, political plays about the troubles in the world. My plays deal with magic and hope.
Also, having grown up in England, you walk around London, you're passing relics that are a thousand years old - the wall of London is a thousand years old. You don't talk about it, it's part of your everyday life. The idea that people are in these environments and talking about the past and what happened, it's irrelevant. It's all about living and in this world it was about surviving.
For ten years, I wrote regular columns about science for women's magazines, and to my knowledge I'm the only person in the world who can say that. This has no kudos in either the science-writing world or the academic world, but it's one of the most challenging things I've ever done. It's much harder to write about cosmology for a magazine like Vogue than for the New York Times, which I've also written for, because you have to imagine that on the page opposite there'll be an advertisement for eyeliner, or an article about the latest trends in skirt length.
I've got five kids and I'm married, Tommy's got two kids and he's been married, Vince just got married again, Mick's out of a relationship, Tommy's single as well. We've done a lot in our life, we've covered a lot of miles.
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
My first fragrance as a kid was Tommy Girl. It was amazing. Wasn't it the thing to wear? And then I remember I stopped wearing it because it was literally like the whole classroom was filled with Tommy Girl.
There's nothing personal in it [THE SKRIKER]. I'm not ever inclined with any of the plays to say, This is about that, because plays are about the whole event that they are. . . . I was certainly wanting to write a play about damage - damage to nature and damage to people, both of which there's plenty of about. To that extent, I was writing a play about England now.
There is a considerable amount of content to what made Tommy End Tommy End and what makes Aleister Black Aleister Black, but there are a lot of similarities. I sometimes feel like Tommy End shed his skin and became Aleister Black. I truly feel that in WWE Tommy End could become Aleister Black.
Here's the weird thing about me. I was never one to tell you stories about me. I was always the guy who others told stories about. I was like that up until I was 35 years old. And then I started telling stories about me onstage.
The thing of being able to share somebody's reality, which has so far been a matter of what communication is about, you know. Now it has gotten a whole new leg. It has gotten a thing of being able to actually step in somebody's reality and walk through it like they do, experience it the way they do, specifically. The implications, to me, are immense. I mean, how far can it go? If you go into a complete, like a cyberspace model of some type, in which... you know the discussion about the mind and the interaction between the mind and the universe as a holographic phenomenon.
I don't care about losing. How many times did Michael Jordan lose before he won his first championship? It wasn't about the number of losses with Sugar Ray Leonard or Tommy Hearns.
All writers write about themselves, just as the old storytellers chose to tell stories that spoke to and about themselves. They call it the world, but it is themselves they portray. The world of which they write is like a mirror that reflects the inside of their hearts, often more truly than they know.
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