A Quote by Gilbert K. Chesterton

When you have really exhausted an experience you always reverence and love it. The two things that nearly all of us have thoroughly and really been through are childhood and youth. And though we would not have them back again on any account, we feel that they are both beautiful, because we have drunk them dry.
When you have really exhausted an experience you always reverence and love it.
Now I'm a wife and a mother of two. It's a really different role. I always referred to No Doubt as a marriage, because that's what it's like to be together for so long and go through what we've been through. I can't really have that relationship with them anymore.
And even if these scenes from our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not.
I survived this torture which left me paralyzed for years. That's what that night was all about, mutilation, more than violence through sex. I really do feel as though I was psychologically mutilated that night and now I'm trying to put the pieces back together again. Through love, not hatred. And through my music. My strength has been to open again, to life, and my victory is the fact that, despite it all, I kept alive my vulnerability.
Earthly love… is temporal and slight so that is has to be given again and again in order for us to feel any sense of security; but God’s love, God’s voice and presence, would instill our souls with such affirmation we would need nothing more and would cause us to love other people so much we would be willing to die for them.
The memories which come to us through music are not accompanied by any regrets; for a moment music gives us back the pleasures it retraces, and we feel them again rather than recollect them.
Both of my grandmothers have always been really good bakers, and I was always in the kitchen helping them. Obviously I can't eat a lot of the things that I make, but just baking it and giving it to someone makes me feel really good.
Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.
The song writing is different because with this stuff, I write it on my own and with Hot Water, we're more of a collective and I love both sides of that. Honestly, it's two different animals but I love and respect them both and feel really honored to be blessed with people who care about it and come out and support both sides of it.
Most development doesn't make it to series. So you want the writer and director to have a really good experience with development because, if it doesn't work out, you want to work with them again. You have to know their work really well, know the drafts really well, and when you give notes, you need to have really thought them through.
I feel really lucky because I discovered acting when I was really young, I was like nine and I think I had a really happy childhood and youth. I was doing what I wanted.
The trick is to keep exploring and not bail out, even when we find out that something is not what we thought. That's what we're going to discover again and again and again. Nothing is what we thought. I can say that with great confidence. Emptiness is not what we thought. Neither is mindfulness or fear. Compassion––not what we thought. Love. Buddha nature. Courage. These are code words for things we don't know in our minds, but any of us could experience them. These are words that point to what life really is when we let things fall apart and let ourselves be nailed to the present moment.
This entire most beautiful order of good things is going to pass away after its measure has been exhausted; for both morning and evening were made in them.
I think that is what you want to do as a cinemagoer - to experience something fully. Some things don't let you experience them fully. It may be your own preordained prejudice where you can't experience them fully. But when you come out of the cinema having felt, thought, and experienced your way through two hours, that is a really cool thing.
Some days I would get so exhausted, nauseous, in pain - just from going back through things. It's almost as if I had the experience and then the meta-experience.
There are a lot of things that you see in the world ...We have a collection of gloves that have been run over by trucks that a friend named JP Williams collects. They are really beautiful. They look like sculpture. And he has a hundred pictures of them - we're making a book out of them. It's all that kind of ephemera, things that exist that no one really looks at unless it's put to them in a certain way.
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