A Quote by Gilbert Murray
Sometimes Aristotle analyses his terms, but very often he takes them for granted; and in the latter case, I think, he is sometimes deceived by them.
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I would be lying, however, if I claimed that I could always formulate worthwhile hypotheses on the basis of my theoretical framework. Sometimes there were no reflexive processes to be found; sometimes I failed to find them; and, what was the most painful of all, sometimes I got them wrong. One way or another, I often invested without a worthwhile hypothesis and my activities were not very different from a random walk.
The most interesting heroes have a bit of villainy to them, and the most interesting villains have a certain bit of heroism in them. I think (Alan Shore) intends to do the right thing, but his view of the world is very different so, to get to the right place, he sometimes takes a path that goes through a very dark forest.
I could never do just one thing, but everything I do is in the direction of stories. Sometimes writing them, sometimes showcasing them, sometimes letting people see them.
I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.
A man's minor actions and arrangements ought to be free, flexible, creative; the things that should be unchangeable are his principles, his ideals. But with us the reverse is true; our views change constantly; but our lunch does not change. Now, I should like men to have strong and rooted conceptions, but as for their lunch, let them have it sometimes in the garden, sometimes in bed, sometimes on the roof, sometimes in the top of a tree. Let them argue from the same first principles, but let them do it in a bed, or a boat, or a balloon.
Sometimes you need to encourage them sometimes even to comfort them, let them know I trust them. Sometimes you need to tell the truth, being more aggressive. That's management. I need to put the players in the best possible conditions.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
I got letters from people that have had peculiar psychic experiences, experiences with the dead - sometimes fairly tranquil experiences and sometimes very terrifying experiences. I do believe that a lot of them are sincere. I do believe, also, that some of them may be misguided. But, I think the majority of them have experienced something.
Sometimes the hitter get a hit, sometimes I strike them out, but in niether case does anyone die.
It is a revenge the devil sometimes takes upon the virtuous, that he entraps them by the force of the very passion they have suppressed and think themselves superior to.
I doubt if Dickens did, especially his women-his pretty women-Mrs. Dombey, Florence, Dora, Agnes, Ruth Pinch, Kate Nickleby, little Emily-we know them all through Hablot Browne alone-and none of them present any very marked physical characteristics. They are sweet and graceful, neither tall nor short; they have a pretty droop in their shoulders, and are very ladylike; sometimes they wear ringlets, sometimes not, and each would do very easily for the other.
People make decisions that may have one intent and yet are somehow perverted into something else. And sometimes it's because of design. Sometimes it's because of happenstance. But very often, it's mysterious to them.
Sometimes, songs spill out of you very fast, and sometimes you have to wrangle them to the floor. But the same thing is true of comedy, where sometimes it really flows.
Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
I think that it would be hard to find a family that didn't have a secret in it somewhere, and sometimes we know about them, sometimes we don't. Sometimes we have an inkling that there's something hidden, but I think that it touches everybody's life.
I read reviews every time. I read them all. Sometimes they can be very constructive, sometimes not, but it's always interesting to see the opinion of others on what you are doing. Sometimes I am very furious, but I will never say to a journalist, "Please don't come back to the next show." Never. Because I think that's a very stupid attitude. I am very happy when I see the results of the company and when I see people wearing my clothes or my accessories. I think this is the best answer to criticism.
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