A Quote by Gilbert O'Sullivan

I've never recorded anyone else's songs. I'm not interested. If you gave me a song by Bono and Edge and promised me a number one hit with it I'd still say no. That, for me, is not the kind of success I want.
'She's a Mystery to Me' was released in 1987, when I was 11 or something, and I absolutely adored the song. This song was written by Bono and The Edge, and the story goes that Bono woke up with the tune in his head, then thought that the only voice who could sing this song is Roy Orbison.
There are some commercial artists that have number one after number one, and you go to their show, and the show's one-note. Yeah, they're all hit songs. But there's no emotion, because they're the same kind of hit songs, because they're what works at radio. That kills live shows for me.
I always try to write a song, I never just want to write a record. Originally I was not writing songs for myself. ....And I can say this, most of the people who have recorded my songs are songwriters themselves. ... Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential. When you write a song, a song has longevity. ... So I wanted to sing inspirational music, and that's exactly how I approached it-only the words have been changed to declare my relationship with God. Songwriting is my gift from God.
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
The success doesn't define you. The success isn't what gave you the edge in the first place. The failure didn't give me the edge, either.
Let's be honest, half the marriages end in divorce. For me, it's never made much sense. I have a girlfriend and I'm not interested in anyone else, but I still wouldn't want to bring the federal and state government into my life.
And I'll tell you, I've seen the lightning flash. I've heard the thunder roll. I felt sin-breakers dashing, trying to conquer my soul. But I heard the voice of Jesus saying still to fight on. He promised never to leave me, never to leave me alone. No, never alone. He promised never to leave me, never to leave me alone.
I don't believe in luck. Everything is our doing or undoing. If something doesn't come out right, then as a director, you have to take full responsibility. You can't just say, 'No, I gave this job to the music supervisor. They promised me they would do it, and they didn't do it.' You can't blame anyone else.
The american dream wasn't meant for me, cause lady liberty's a hypocrite she lied to me, promised me freedom,education, and equality never gave me nothing but slavery but now look at how dangerous you made me callin me a mad man because im strong and bold.
And now I’m looking at you,” he said, “and you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before – bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it – but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me.
'Been That Way' is a song that Timbaland gave me. Actually, the beat is. And then he called me to come out there to Miami. I went out there to work with him, and he gave me two beats for my project. One was 'Sorry Not Sorry,' and the other one was 'Been That Way,' and I recorded both of them in my hotel.
All the other editors at DC never gave me a moment's time. They would take the thing and give me a check and say, 'I'll see you in two weeks.' They never gave any kind of encouragement or information. They were very competitive with each other. They didn't want to teach an artist and then lose him to some other editor.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
When 'Twilight' hit the New York Times bestseller list at number 5, for me that was the pinnacle, that was the moment. I never thought I would be there. And I keep having moments like that where you just stop and say, wait a minute - how is this still going up? I'm waiting for the rug to be pulled out from under me.
For me to be here at album number six, it's kind of a way to say, 'Thank you for allowing me to be here... to still be around.'
I hope that more children have the same opportunities as me, with the same parents as me, that let me be an individual, who gave me freedom, and taught me to believe in myself before anyone else would believe in me.
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