A Quote by Gilbert O'Sullivan

I've only recorded my own songs. I don't consider myself a great singer, so I wouldn't be comfortable interpreting other people's songs. — © Gilbert O'Sullivan
I've only recorded my own songs. I don't consider myself a great singer, so I wouldn't be comfortable interpreting other people's songs.
I never took singing lessons. I guess, I feel comfortable with it, but I do not feel like a singer. I never want to sing without a guitar in my hand. I consider myself more of a songwriter, rather than a singer. I could never be in a wedding band and just sing Marvin Gaye songs.
I don't subscribe to the view that only puja numbers recorded during the '60s-'90s are enjoyed by the present-day listeners. Definitely the songs of that period are very popular even now, but the songs recorded afterwards are equally lapped up by the audience.
I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs.
The choice that I made was from my best music, for the songs that I knew that the public liked. Then, when I recorded my new songs I found that my old material had not faded, it was still current, the music was good and the songs were great. I sat in my house and listened, got the chills, and I thought, how great is that? It hasn't dated, it hasn't gone anywhere, and it's great.
There is a lot of incredible talent out there, however, talent alone is not enough. Being a great singer does not matter, if you are not singing great songs. Having great songs will not be obvious to record executives if they are not professionally produced. Consistently performing those songs extremely well is essential.
I count myself as not only just an artist, not only as a singer, but a business woman. I write my own songs; I write my own video treatments, manage other artists. I write for other artists; it's not just about getting on stage and singing a song.
I'm not like other writers. I'm not hung up on using my own songs. In fact, my sister Bunny always tells me I sing other people's songs better than my own. She says I loosen up and give the songs a different feel.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
There are so many songs I've recorded, only to hear other people singing them. It happens all the time.
I'm very lucky that people are able to say, 'Oh, that's that Moody Blues guy!' I'm very fortunate with that. That's all. Without the songs, I think, I'd just be a pretty average karaoke singer. In the end, it comes down to the songs: the strength of the songs.
I recorded songs with a great deal of meaning, songs of lasting material. That's the legacy I want to leave behind - a legacy of love.
I'm not somebody that has an encyclopedic knowledge of ballads and could sit around a fire and sing songs for three hours. I basically only know the songs that I've taken on and reworked and recorded.
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
I consider myself to be an inept pianist, a bad singer, and a merely competent songwriter. ... I'm probably writing music now for the same reason as I started writing songs when I was 14-to meet women. ... If you make music for the human needs you have within yourself, then you do it for all humans who need the same things. You enrich humanity with the profound expression of these feelings. ... My songs are like my kids.
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