A Quote by Gilbert Ryle

Myths often do a lot of theoretical good, while they are still new. — © Gilbert Ryle
Myths often do a lot of theoretical good, while they are still new.
Everything I write now might have roots in myths, often disguised,often dissolved into new multi-ethnic myths of my own making.
It's only recently that I've come to understand that writers are not marginal to our society, that they, in fact, do all our thinking for us, that we are writing myths and our myths are believed, and that old myths are believed until someone writes a new one.
All my stories are like the Greek and Roman myths, and the Egyptian myths, and the Old and New Testament.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
So I am praying while not knowing how to pray. I am resting while feeling restless, at peace while tempted, safe while still anxious, surrounded by a cloud of light while still in darkness, in love while still doubting.
I think there are a lot of companies that are staying private longer. Much more of their growth is happening while they are on the private side. So their valuations are hitting $1 billion while they are still private more often.
You don't get rich, you don't often have much fun. Sometimes you get beaten up or shot at or tossed into the jail house. Once in a long while you get dead. Every other month you decide to give it up and find some sensible occupation while you can still walk without shaking your head. Then the door buzzer rings and you open the inner door to the waiting room and there stands a new face with a new problem, a new load of grief, and a small piece of money.
My love is new music, I tend to go and see a lot of bands, while [co-producer] Mark Cooper spends his time reading the press. It's often the new acts that strike a chord, because they aren't seen on other shows.
D.H. Lawrence says that myths are "inexhaustible" because they are symbols of heart mysteries. That is, they can't be exhausted - they somehow have embodied some central human mystery (love, loss, being a body in time, who knows which or what?) and thus can be retold infinitely and still be rich. That's part of your saying: it's old, but it's also new. Or: there's nothing "new" in the human heart, but it still matters lots.
I think of evolution as a myth, like the Norse myths, the Greek myths - anybody's myths. But it was created for a rational age.
A lot of the ancient Norse myths and legends are the basis of a lot of the sci-fi, fantasy films out there. Telling these stories in a contemporary medium, it's all good.
Therefore psychologically we must keep all the theories in our heads, and every theoretical physicist who is any good knows six or seven different theoretical representations for exactly the same physics.
Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.
Thus science must begin with myths, and with the criticism of myths; neither with the collection of observations, nor with the invention of experiments, but with the critical discussion of myths, and of magical techniques and practices.
I feel like I have a lot of novel ideas, but they often come up while I'm already in the process of working on a book. You have to watch out with the slutty new idea.
Games of chance often involve some amount of skill; this does not make them legal. Good poker players often beat novices. But poker is still gambling, and running a poker room - or online casino - is illegal in New York.
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