A Quote by Gilbert Sorrentino
Rapacity plus taste is a formidable combination, since it so often passes for intelligence. One pities the artist in a world of such predators, all of whom are deeply engaged in the arts too.
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Human relationships with predators have always been thorny. Predators are the first creatures our kind purposely eradicates. Too often, people feel humans are and should be in control; we are enraged to discover this is not true. And when other creatures share our appetites and kill our livestock (often animals we were raising to kill, ourselves), we call them vandals and murderers...Predators are the most persecuted creatures on Earth.
taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.
The world that I know and the world that I come from is from the arts, and my wife's an artist, and I've been a musician since I left college, and there's tons of musicians I'd love to play.
The artist at her best - wild, passionate, rebellious, and human - is often too large and truthful a creature for society's taste. The artist at her most outlandish - profane, eccentric, even a little mad - is at least as disquieting a figure.
One of the smartest things Kickstarter has done, in my opinion, is give people a great shopping experience related to the arts, that funds the arts. In essence, they've gotten people to pay $200 for a t-shirt plus the feeling of participation in another artist's endeavor.
Taste is the fundamental quality which sums up all other qualities. It is the ne plus ultra of the intelligence.
Good manners are a combination of intelligence, education, taste and style mixed together so that you don't need any of those things.
I hold myself accountable for my contradictions. I deeply, deeply believe in the mystical laws. I know that every thought sends an eternity in motion. I mean, I know what I am capable of as a teacher; I know what I'm capable of because of my intelligence. But I also know that that's useless if - I have been humiliated so often, when I think that I can combat the terrors of life with intelligence. Because you can't. It'll bring you to your knees.
Too often in the past, we have thought of the artist as an idler and dilettante and of the lover of arts as somehow sissy and effete. We have done both an injustice. The life of the artist is, in relation to his work, stern and lonely. He has labored hard, often amid deprivation, to perfect his skill. He has turned aside from quick success in order to strip his vision of everything secondary or cheapening. His working life is marked by intense application and intense discipline.
Taste is the fundamental quality which sums up all the other qualities. It is the nec plus ultra of the intelligence. Through this alone is genius the supreme health and balance of all the faculties.
I like to write about love plus an obstacle. Not a really big obstacle; not too serious and not too funny. Just somewhere nicely in between - a combination of the two.
Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows; in a mass medium, the artist decays profitably.
Intelligences are enhanced when a person is engaged in activities that involve the exercise of that intelligence. It helps to have good teachers, ample resources, and personal motivation. Anyone can improve any intelligence; but it is easier to improve the intelligence if those factors are available and if you have high potential in that intelligence.
Young men often laugh at the sensible girls whom they secretly respect, and affect to admire the silly ones whom they secretly despise, because earnestness, intelligence, and womanly dignity are not the fashion.
Alcoholism plus criminality plus whatever caused both in the first place form a combination that is very nearly happy-ending-proof.
I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.
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