A Quote by Giles Andreae
Here is the tragedy: when you are the victim of depression, not only do you feel utterly helpless and abandoned by the world, you also know that very few people can understand, or even begin to believe, that life can be this painful. There is nothing I can think of that is quite as isolating as this.
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Here is the tragedy: when you are the victim of depression, not only do you feel utterly helpless and abandoned by the world, you also know that very few people can understand, or even begin to believe, that life can be this painful.
People respond differently to people who are grieving. They reach out. But depression is so very isolating. It's hard to explain to anyone who has never been depressed how isolating it is. Grief comes and goes, but depression is unremitting.
People don't really understand, but having people stare, and point, and take pictures, even if it is in a positive framework, is quite isolating; there's no two ways about it. You feel a little bit, you know, freakish.
Life has to keep going, so you can either be a victim the rest of your life and let it drag you down into drugs and alcohol and depression or you can turn it into something good, fun even, you know, and I tell young people who are going through depression that this might be the most important time of your life. This might be what makes you a great artist later on.
Because depression is so thematically powerful and so dark, when it's very severe, it can make people feel not only as if they've lost a loving connection, but as if the whole world is devoid of love. So if we wonder how somebody could take 149 people with him when he commits suicide, one answer can be that depression, when it's most severe, can make people feel that life is completely without value, not just for them but for anyone.
It took quite a bit of work and time and mistakes to begin to feel - to understand the strength that comes along with building a home life.That was very mysterious to me. I was very skeptical of it for a long time, and didn't understand it fully until Patti [ Scialfa] and I got together.
In depression, your capacity to feel just flattens and disappears and what you feel is pain and a kind of pain that you can't describe to anybody. So it's an isolating pain, a completely isolating pain.
The fact is, violence is not only not a beautiful thing, but it's also very painful and not without consequences for the perpetrator as well as the victim.
Even if all life on our planet is destroyed, there must be other life somewhere which we know nothing of. It is impossible that ours is the only world; there must be world after world
unseen by us, in some region or dimension that we simply do not perceive. Even though I can't prove that, even though it isn't logical - I believe it.
I cannot draw a human figure if I don't know the order of his bones, muscles or tendons. Same is that I cannot draw a human face if I don't know what's going on his mind and heart. In order to paint life one must understand not only anatomy, but what people feel and think about the world they live in. The painter who knows his own craft and nothing else will turn out to be a very superficial artist.
Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.
It's very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing... if you begin from the point of view of being a victim, you've got it half-made. I mean intellectually.
Most important, however, is the third avenue to meaning in life: even the helpless victim of a
hopeless situation, facing a fate he cannot change, may rise above himself, may grow beyond
himself, and by so doing change himself. He may turn a personal tragedy into a triumph.
How important can it be that I suffer and think? My presence in this world will disturb a few tranquil lives and will unsettle the unconscious and pleasant naiveté of others. Although I feel that my tragedy is the greatest in history - greater than the fall of empires - I am nevertheless aware of my total insignificance. I am absolutely persuaded that I am nothing in this universe; yet I feel that mine is the only real existence.
I will be capable of loving, regardless of whether I am loved in return, Of giving, when I have nothing, Of working happily, even in the midst of difficulties, Of holding out my hand, even when utterly alone and abandoned, Of drying my tears, even while I weep, Of believing, even when no one believes in me.
I know where my heart is and I know that I can make people feel something with my music. I'm quite confident in what I am doing, so if I can also make a song that people want to put in ten times during a party and makes them happy, then I think that is also good. I feel that playfulness is something that has entered my life a lot more in the last couple of years. I'm not taking everything too seriously. I think that is something that comes with age - I hope. I feel that music is much more fun for me than it has ever been.
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