A Quote by Giles Deacon
That era of designers being away with the fairies is gone... You've got to live in the real world.
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One of the things that we've got to understand... is that politics of identity has never gone away. And where people have had a strong identity, geographically, culturally, in terms of their employment... if that's gone and not being replaced by something else, then I think the right-of-centre's got to wake up to that.
In the 20th century, artists did a great disservice to fairies. They painted fairies in a way that was shallow and trite. So when people see my stuff, they suddenly realize the depth of fairies.
We live in an era of social media. We care more about looks, popularity and followers than about real music. And I wanted to get away from that.
If you want to be in the world I live in, which is a creative world with new ideas, then you've got to get away from the norm. You've got to go for it.
The natural end of an era, as designers whose houses bear their names grow old and pass away, combined with the arrival of digital cameras and Internet exposure, has created a perfect storm.
We live in an era of globalization and the era of the woman. Never in the history of the world have women been more in control of their destiny.
We live in this era where we really enjoy being offended, although only on the Internet. I don't know how beneficial it is. I wonder if we live in an age where we don't have power, yet somehow feel we have virtual power. But I feel like it's a distraction from real life.
Startups are transforming our society. Over the past 100 years, we've gone from an industrial era, where a hierarchical structure dominated business and society, to a post information era where the network is rapidly disrupting the hierarchy and transforming the way we work and live.
Once, at the dreaming dawn of history -- before the world was categorized and regulated by mortal minds, before solid boundaries formed between the mortal world and any other -- fairies roamed freely among men, and the two races knew each other well. Yet the knowing was never straightforward, and the adventures that mortals and fairies had together were fraught with uncertainty, for fairies and humans were alien to each other.
It is an irony that the era of crafty villains such as Gabbar Singh or Mogambo has gone away.
When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.
I think that as a playwright, if I detail that environment, then I'm taking away something from them [designers]. I'm taking away their creativity and their ability to have input themselves, not just to follow what the playwright has written. So I do a minimum set description and let the designers create within that.
Nothing will turn you into more of a 'Star Wars' fan than being on a 'Star Wars' set. When you see how lovingly that world is rendered by the set designers, costume designers, props department, art department, they genuinely build an actual world. That is not an exaggeration. They build a world.
'Tiger King.' They are absolutely gone with the fairies, they're all absolutely raving out of the box, the lot of them. All those people with animals like tigers, who've got their own zoos in America, and one guy's got something like 2,000 tigers in his back garden. It's absolutely mad.
The monastic folks have the spirit of being in the world but not of the world, sort of peculiar people who have gone to the desert to live on the margins of the empire.
Nobody wanted to publish a book about fairies; they said people wouldn't be interested. Luckily, I discovered Lady Cottington and her pressed fairies, which revived a huge amount of interest in fairies, so I could go ahead and do the book I wanted to do.
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