A Quote by Giles Deacon
We design for a whole range of ages and body types, and we always have done. What's great about us is that the common thing that they all like is an accessible eccentricity of an accessible flamboyance, and I think the super thing about that, it isn't age-specific: you're not only dressing 25-year-olds; we're dressing women from 25 to 65+.
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I think that distributors and marketing companies realise that there are a huge number of women over 40 who want to go the cinema and see films about themselves. Women of my age don't want to be force-fed with stuff about 25-year-olds.
When I was 18, I was playing to 18 to 21-year-olds, and then, when I was 25, still playing to 18 to 25-year-olds. As I've gone on, the crowd has gone in both directions, both younger and a little older now than it's ever been. It is an interesting thing to hit 30.
I feel like a lot of teenagers have typically been played by 25 year olds, and even 30 year olds. It's nice that I'm playing a little bit more to my age, although from 15 to 19 are pretty progressive years.
Gender roles are absurd when you actually look at them. The fact that anybody could ever say or think that dressing in women's clothes is wrong, or odd. Women dressing in women's clothes and men dressing in men's clothes is the actually the thing that is really odd.
My first experiences with fashion were dressing up. It was always about fantasy for me. Dressing up as characters . . . I always thought that's what clothes were - that they would make you into the person you wanted to be. I'm an actress, so I love to act, and I think that's one of the most important things - the thing that makes you feel like another person.
With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children.
As awesome as it is to be with a big act and get three catered meals a day and get a dressing room with an actual shower in it, it's hard sometimes as a new artist to come across in 25 minutes. You get 25 minutes to hopefully impress these people. I think the longer set is more suitable for us and gives us an opportunity to connect better.
Industrial-strength foolishness sets in-in males, at least-at about the age of 18. This is why the military prefers males in the 18-to-25-year-old range when there's combat to be done.
I don't think that 25-year-olds should be fighting 40-year-olds.
I love dressing for different occasions and having dress codes. For me, it's such a fun thing to have a reason to think about dressing within restraints or codes or rules, so it's something I have fun with.
The thing I have to be willing to do is work - I think I'm the one that is going to actually copyright the term "25/8." You ever hear of the term "25/8?" It's the cousin of "24/7." I have to go "25/8."
There's an old rule of thumb in politics that 90 percent of all 90 year-olds vote and 25 percent of all 25 year-olds vote.
I think it's always interesting when you see a company start moving so quickly - it's like wow, incredible. When a company like Uber starts breaking away, it's not a linear thing. It's exponential. All of a sudden, the guy you know who threw $25,000 at Uber very early on - all the sudden, that $25,000 is $25 million.
There are too many 50-year-olds dressing as 20-year-olds.
I always looked really young for my age. And once I hit 23, 24 and 25, I was then allowed to play the cool 18-year-olds and stuff.
The cool thing about 'Hearthstone' is, in terms of accessibility to competitive play, it's very accessible. Anybody can participate in these types of things.
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