A Quote by Giles Deacon
With couture, you're going right to the consumer, and that's something we learned from doing trunk shows. You're meeting the client; you're finding out what they like and what they don't like. You've really got your customer there in front of you, so you know what works and what doesn't.
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There are so many wonderful shows that come out through the year. What makes some stick is an unknown factor, you know? It's gotta be the right show at the right time. Really, you've got to have magic elements line up. But I felt that this was going to be something that was really going to ring true to people.
I think that we just take our time with everything. We don't feel that there's a rush to become something that we're not yet. We like to really feel things out and know what we're doing. We hadn't ever really played a lot of shows live after we released our EP, and that's when we started doing it - we started playing out live consistently right after we released our EP and we got a new drummer because Shannyn [Sossamon] had quit.
At 3 years old, I was imitating and doing fun little commercials for the family. Then at 5, I knew, 'OK, this is something I really like.' At 8, I was crying in front of the mirror and my mom was like, 'Oh boy, here we go. We know what she's going to do.'
One thing I've learned through all the ups and downs is that if you're doing things right, then you have a core group of people. Not just a core group like your homies or your buddies, but a group of people that has a good influence on you, who you respect and admire, and you know that if they're on your side, you're doing something right.
One thing I’ve learned through all the ups and downs is that if you’re doing things right, then you have a core group of people. Not just a core group like your homies or your buddies, but a group of people that has a good influence on you, who you respect and admire, and you know that if they’re on your side, you’re doing something right.
What works for me is a little bit of training and sensible eating. You know, the Cameron Diaz's of the world put a lot of effort into it! But you can't have it all - I like going out for dinner with my husband; I like meeting my mates at Starbucks!
Am I ever going to be able to play football again? What's going on with my career? I was just thinking things like that. You've got tears going down your eyes. You've got your trainers right there and my parents right there. I was just thinking, "Is this it?" I didn't know what a knee injury was. I'd never felt pain like that.
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.
People who know what they want, the universe has a way for clearing a path for them. When you want something bad enough, it's going to happen for you. You can almost manifest your own destiny by always focusing on it. Almost like the law of attraction. If you really know what you want, the chances of you finding it are so much more strong. It's almost as if it will come fall right on your lap. I know that I want to be champion.
The main trend with the theme episodes is that anywhere there is a misconception about the way the physical world works, we're finding fertile material. Whether it's in a phrase like "going over like a lead balloon" or "a needle in a haystack," or tackling movie myths or even a genre, like MacGyver or James Bond, we're finding that all these things can lead to people believing the world works in a certain way. It might not be correct, but we can test out if it's true.
Speaking as somebody who's been in the drug scene, it's not something you can go on and on doing, you know. It's like drink, or anything, you've got to come to terms with it. You know, like too much food, or too much anything. You've got to get out of it. You're left with yourself all the time, whatever you do--you know, meditation, drugs or anything. But you've got to get down to your own god and your own temple in your head.
Like that lightning that comes out of the blue when there's not even a storm going on, just a crazy crack in the sky. With something like that right in front of you, you can't help but feel there's new possibilities out there.
I like having the vinyl, but it's not like we're going to sell an umbrella or something. I don't like the idea of selling something that's not music - I mean, I like going to shows and buying the shirt, but beyond that, I don't know. There's a lot of crap in the world.
The scheduling thing is really weird with TV shows. Certain projects haven't been able to work out because of the schedule, so some of it is out of your control. You don't have very many opportunities. There isn't much time, so you want to make sure you're going to be doing something that you really feel good about or that you're going to have a good creative experience doing. You're taking up vacation time from your job, so you want it to be meaningful.
Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
I've had some shows where I really plan out what I'm going to say. Then I've had other shows where I'm like, 'Take a sip of the Ole Smoky Moonshine and just let it be natural and cross your fingers that you say the right things.'
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