A Quote by Giles Foden

Writing about Africa by Africans has been part of my literary apprenticeship, standing alongside works by authors such as Joseph Conrad, Joyce Cary and Graham Greene as influences.
After reading Graham Greene and Joseph Conrad when I was a student at Yale, I wanted to live in the world they captured in their books. I had had some experience living in Africa. I was drawn to that kind of adventure.
Mann and Joyce are very different, and yet their fiction often appeals to the same people: Harry Levin taught a famous course on Joyce, Proust, and Mann, and Joseph Campbell singled out Joyce and Mann as special favorites. To see them as offering "possibilities for living", as I do, isn't to identify any distinctive commonality. After all, many great authors would fall under that rubric.
I don't give plots to Harold Robbins or Graham Greene, because they don't need them, but a lot of authors do.
The sad fact is that I love Dickens and Donne and Keats and Eliot and Forster and Conrad and Fitzgerald and Kafka and Wilde and Orwell and Waugh and Marvell and Greene and Sterne and Shakespeare and Webster and Swift and Yeats and Joyce and Hardy, really, really love them. It’s just that they don’t love me back.
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
Africans are on the front lines of humanitarian efforts, distributing life-saving aid in dangerous environments. Africans comprise the vast majority of peacekeepers in civil conflict on that continent. Africans for the most part lead peace negotiations for the wars being fought in Africa.
We had all these famous writers in Sweden and from all over the world home at dinner. I wanted to be a writer, and I wanted to be a highbrow writer as my father. He never, ever read anything like crime novels. He wrote biographies of Dante, James Joyce, August Strindberg and Joseph Conrad.
Graham Greene at 82 years old was still writing, and I don't think anyone can deny the force, the expertise, and the unique quality of his writing, if you take his complete oeuvre.
Joseph Conrad was a thoroughgoing racist. That this simple truth is glossed over in criticisms of his work is due to the fact that white racism against Africa is such a normal way of thinking that its manifestations go completely unremarked.
You know, I've read Joseph Conrad's 'Heart of Darkness' about fifteen times.
I do not start with a full knowledge of the facts; the whole attraction of writing history is to educate myself: it is an exploration into the unknown - 'a journey without maps,' to borrow Graham Greene's phrase.
Imaginative writing has always been a solitary and indeed a somewhat antisocial activity. Apprenticeship existed, no doubt, but it was an apprenticeship to books and not to living masters of the craft.
That's all you do in life: you find your perch, and if it suits you, just carry on. There's nothing Graham Greene about it.
There's a long-standing (50 year old) flame war within the field over whether it's "sci-fi" or "SF".SF has traditionally been looked down on by the literary establishment because, to be honest, much early SF was execrably badly written - but these days the significance of the pigeon hole is fading; we have serious mainstream authors writing stuff that is I-can't-believe-it's-not-SF, and SF authors breaking into the mainstream. If you view them as tags that point to shelves in bricks-and-mortar bookshops, how long are these genre categories going to survive in the age of the internet?
My three favorite travel writers of all time are Robert Louis Stevenson, Graham Greene, and Chuck Thompson. Smile When You're Lying not only tells the truth about the travel-writing racket, it gets to the heart of some of the travel industry's best-kept secrets.
The West exploited Africa and now it wants to save it. We have been living with this hypocrisy for too long. Africa can only be saved by Africans.
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