A Quote by Giles Matthey
In my ideal world, it would be a soulful connection to the role because you've shared a lot of the same experiences as the character and you just feel so right in it. That's the first thing I look for.
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It's weird because I've grown up a lot after filming the first 'Hunger Games' movie. Growing up with a character is really interesting because you feel like you have this connection with the role.
I try to look at every role the same way, regardless of whether the character is real or the character is a fantasy. I always start from myself, because you have to know yourself first.
I hold back parts of my life and experiences... I don't want to share anything just for the sake of sharing and exposing myself, but if something feels right and I feel inspired by the situations or moment I'll definitely share it. There are so many stories and experiences I have not shared, and I don't feel compelled to.
A lot of cats in New Orleans, very soulful, very soulful musicians and they assume that they're singers. And they just make that assumption. And so when there's a little intonation problem, people are very forgiving of them because they heard how soulful they play.
You have a deeper connection with people who you have shared experiences with and shared pain.
I start at square one with every role. If I let myself feel pressure, it would crush me. The truth is that everyone pays attention to who's number one at the box office. And none of it matters, because the only thing that really exists is the connection the audience has with a movie. Sometimes that's a palpable thing, but other times it's not. No actor has control of that. All you can control is your own passion for doing the work in the first place.
I think that watching artists, soulful artists, they get into it. It's always the way I perform, so when I'm on stage I just try to get into it - I'm in my own world. That's the whole thing about the stage, it's like a sacred place. They're [the audience] watching into the different world, right, so it's like you see performers and they're in the same room, so it's a different vibe. Sometimes it's great, but I try to separate it, you know, I wanna separate it 'cos otherwise I feel naked. It just feels natural.
I was very excited about working with Vatsal again in 'Kaun Hai.' I have always shared a great comfort level with him, right from the look test for 'Baazigar,' which is when I first met him. We hit it off instantly and would have a lot of fun during the shoot. We would chat a lot and that's how we got to know each other.
You look for the roles where, when you read it, you're just like, "Yes, I know that. I know that feeling. I know what it means to feel like that. I know this person." When you have a soulful connection to a part, that's a dream come true.
When you take on a role, even if the character is somebody that you are dissimilar to, you have to identify with the role and look for an emotional connection even if there is not a biographical one.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
There's a sense of aliveness that comes from connection, shared experience. And you see it in every place. You see it when ball players jump up and down, gather at home plate, hugging, and it's not just because they're winning, it's that shared moment, that feeling of - we enter the world alone, we leave alone.
I'm interested in a lot. Like right now, I'm just really excited for 'Catching Fire' and 'Mockingjay' Part 1 and 2. But I love playing characters like Prim - I mean, Prim is like my dream character - but after 'The Hunger Games', it would be fun to look and see what else I could do well. But right now, Prim is like my dream role.
I would be happy to live in a world with no mirrors, but at the same time, it's great to look good on stage because you feel you're offering more than just the music.
I've lived a little bit and traveled the world and experienced a lot of things that I can play any role, and I think I can get into stuff that people never thought I would ever do because of my experiences and growth as a person.
There's a connection that's hard to explain. It's the feeling I get when I see someone shuffle up to meet me, or say something, and I can instantly tell by the cant of their head or by the movement of their arms -- and these are people who aren't even full-blown symptomatic -- that they're one of us. And the look they give me, it's not just gratitude -- I don't care about the gratitude -- but solidarity. And shared optimism. And a resiliency that just makes me think we're doing the right thing, and that this truly is a community.
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